The Immortal Iron Fist (2007) #17

Iif17

Swierczynski’s approach to Iron Fist is to continue the Brubaker and Fraction format. We even get Heath doing the flashback art.

There’s one big difference. First is how Swierczynski structures the villain in the issue. He’s not mysterious. We get his story right away. And his motivation is pretty straightforward. He’s the guy who kills the Iron Fists at thirty-three–it’s kind of like Halloween: H20, but on a thirty-three year cycle.

Also strange is the way Swierczynski continues from the previous issue. He does a direct sequel (though a few pages are prologue to it). So the last issue has that amazing moment with Danny’s friends surprising him with a cake and this issue has it be a whole party.

I’m generally positive… except how Foreman keeps changing his style. Sometimes he’s finished, sometimes he’s rough. It’s too varied for a single issue.

Reading with guarded optimism….

The Immortal Iron Fist 20 (January 2009)

529837.jpg
Okay, Swierczynski is finally back on track. Forgetting the special, he’s now written more good issues of The Immortal Iron Fist than mediocre or bad.

This issue resolves—maybe a little too conveniently (it should have taken eight)—Danny’s possible death at thirty-three. It also gets the search for the Eighth City back underway and brings in the Immortal Weapons to a more central role.

Not sure how much of it is Swierczynski’s fault for not plotting the arc right or if Fraction just left him with too much to do.

Swierczynski puts a solid bow on the whole thing, but all the stuff with Misty seems like a misfire. Though Foreman’s hat for her for her big farewell scene with Danny is brilliant. Swierczynski just never establishes their relationship as anything significant. It doesn’t feel like their goodbye has any real weight.

Still, I’m enthusiastically reading once more.

CREDITS

The Mortal Iron Fist, Conclusion; writer, Duane Swierczynski; artists, Russ Heath and Travel Foreman; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 19 (December 2008)

529836.jpg
Oh, there are other Immortal Weapons? Wonder if their appearance has anything to do with the issue working.

Just as Swierczynski gets out of his writing rut—well, I’m not sure if that’s an accurate description—he returns to a decent approximation of Brubaker and Fraction’s run on the title, Foreman just plummets.

He goes through maybe four different styles here, but the unifying factor is his people look different from panel to panel. Not like he forgot a facial characteristic, more like in one panel he draws one as a toad and in the next as a butterfly. It’s awful looking.

While Swierczynski does underuse the other Immortal Weapons (just having them show up is nice), he does return some intelligence to Danny, some thoughtfulness. The opening scene works great, even with Foreman confounding the whole thing.

Not sure the series is back on track, but it’s much improved.

CREDITS

The Mortal Iron Fist, Chapter Three; writer, Duane Swierczynski; artists, Travel Foreman and Russ Heath; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 18 (October 2008)

iif18.jpg
Okay, either Swierczynski is covering for Foreman or Foreman is covering for Swierczynski here.

There simply is not enough story this issue. It’s not so much a pacing question, it’s just… almost no story. Luke, Colleen and Misty rescue Danny from the guy who’s out to get him (a demon, I think), Danny recuperates, cliffhanger at Danny’s kung fu school for kids. Some scenes in K’un-L’un, establishing everyone but Danny knows about the Iron Fist-killing demon. Oh, and that new hire at Rand, the one I said was a bad guy?

He’s a bad guy.

I’m not quite given up on Immortal Iron Fist, but Swierczynski is definitely showing some problems here. He just doesn’t have an approach to the series. He’s trying to continue the Brubaker and Fraction run, not bring anything new (having Danny be funny about dating Misty doesn’t count).

My optimism is falling fast.

CREDITS

The Mortal Iron Fist, Chapter Two; writer, Duane Swierczynski; artists, Travel Foreman and Russ Heath; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 17 (September 2008)

if17.jpg
Swierczynski’s approach to Iron Fist is to continue the Brubaker and Fraction format. We even get Heath doing the flashback art.

There’s one big difference. First is how Swierczynski structures the villain in the issue. He’s not mysterious. We get his story right away. And his motivation is pretty straightforward. He’s the guy who kills the Iron Fists at thirty-three–it’s kind of like Halloween: H20, but on a thirty-three year cycle.

Also strange is the way Swierczynski continues from the previous issue. He does a direct sequel (though a few pages are prologue to it). So the last issue has that amazing moment with Danny’s friends surprising him with a cake and this issue has it be a whole party.

I’m generally positive… except how Foreman keeps changing his style. Sometimes he’s finished, sometimes he’s rough. It’s too varied for a single issue.

Reading with guarded optimism….

CREDITS

The Mortal Iron Fist, Chapter One; writer, Duane Swierczynski; artists, Travel Foreman and Russ Heath; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist (2007) #7

Iif07

Fraction and Brubaker take a break here to focus on one of the previous Iron Fists.

They present the story like a fable and get really cute with it. I don’t think the cuteness necessarily has to do with the Iron Fist in question being female, but because she’s got a goofy, sweet but stupid boyfriend. He’s funny.

Actually, there’s a lot of humor in it. Even narrative humor, with a joke in a text box. Probably because dealing with the tale of pirates isn’t going to be fun unless you get in some jokes.

It works as an issue–I wish they’d done one for every Iron Fist, instead of just this one (shocking how good Marvel books never seem to last).

The art’s a bit problematic. Foreman doesn’t flow naturally into Fernandez who doesn’t flow naturally into Evans. It’s not bad, it just always seems a little off.

The Immortal Iron Fist 7 (August 2007)

352955.jpg
Fraction and Brubaker take a break here to focus on one of the previous Iron Fists.

They present the story like a fable and get really cute with it. I don’t think the cuteness necessarily has to do with the Iron Fist in question being female, but because she’s got a goofy, sweet but stupid boyfriend. He’s funny.

Actually, there’s a lot of humor in it. Even narrative humor, with a joke in a text box. Probably because dealing with the tale of pirates isn’t going to be fun unless you get in some jokes.

It works as an issue–I wish they’d done one for every Iron Fist, instead of just this one (shocking how good Marvel books never seem to last).

The art’s a bit problematic. Foreman doesn’t flow naturally into Fernandez who doesn’t flow naturally into Evans. It’s not bad, it just always seems a little off.

CREDITS

The Story of the Iron Fist Wu Ao-Shi, The Pirate Queen of Pinghai Bay; writers, Ed Brubaker and Matt Fraction; pencillers, Travel Foreman, Leandro Fernandez and Khari Evans; inkers, Derek Fridolfs, Francisco Paronzini, Leo Fernandez and Victor Olazaba; colorist, Dan Brown; letterer, Dave Lanphear; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist (2007) #5

Iif05

The Travel Foreman back up art really does not work here. Well, some of it does, but when he flashes back to Orson’s origin… it’s awful. Ed McGuinness proportions. Yucky. It’s such an awkward flashback, it tears the reader out of the book.

The book needs the flashback to work not just for Orson’s emotional state or expository purposes, but also to keep up the action pace. Brubaker and Fraction open on a big action scene, then slow down to a talking heads book. The flashback needs to bridge. Instead it jars.

But the weak art isn’t just Foreman. Aja has a particular bad page with Luke and Misty and the girl with the sword whose name I don’t know. It’s far more rushed than the rest of Aja’s art, which is usually sublime.

There’s some good stuff (the Iron Fist mythology) this issue, but not without some definite problems.

The Immortal Iron Fist (2007) #4

Iif04

I expected more from the Buscema and Palmer pages. The art feels like they were supposed to be going retro instead of bringing a specific style.

It’s sort of strange how much Brubaker and Fraction skip here. The issue starts with Orson and Danny being big buddies. Orson’s been showing him tricks, which we also don’t get to see.

In some ways it works–it suggests time passing between the issues, so even if they read fast, it’s not like there isn’t more going on. A downside is missing important scenes. Not Orson showing off the Jedi mind tricks, but just some character development.

Brubaker and Fraction split the issue between the bad guy–I can’t remember his name after just one mention, Steel Something or Silver Something–and the two Iron Fists. The Iron Fist stuff is a lot better.

Aja’s visualization of Orson in costume is exceptional; Danny looks left out.

The Immortal Iron Fist (2007) #3

Iif03

I’m a little unclear on what actually happens this issue. Things do happen, it’s a good issue, but not many things happen. But Fraction–not Brubaker, because Brubaker’s Marvel work never makes an issue feel fuller than it is–manages to make it feel like a real experience, even though the only really important thing is when Danny meets Orson Randall at the end.

The rest of the issue is filled mostly with villain stuff. It’s not clear (to me anyway) whether Hydra is run by this bad guy who’s after the Iron Fist or if he’s just running some of Hydra. It’s also not clear if it’s important (isn’t Hydra just an easy villain organization to use, like SPECTRE?).

Brubaker and Fraction hint at Danny making a decision to be a businessman–they get distracted with the great conclusion of him meeting Randall.

A fantastic issue (where nothing happens).