Given “The Banana Splits” were a thing in the late sixties, some dated references in Suicide Squad/The Banana Splits Special might make sense. But writer Tony Bedard doesn’t go for sixties or seventies jokes; instead, it’s mid-nineties racial jokes. The Banana Splits reinventing themselves gangsta rap is far less problematic than when the cops are shooting at them because cops don’t care about “Animal Americans.” The editors of the book, who work on the far better Hanna-Barbera books, clearly don’t bring anything to those better books if they let that kind of crud through. Otherwise, it’s lame with mild amusements. Harley Quinn and the Elephant are cute. Ditto Killer Croc and the monkey (almost). Ben Caldwell and Mark Morales’s art is fine, but it’s not like it needs to do much.
However, Mark Russell and Howard Porter’s Snagglepuss backup is awesome. It starts with him telling the HUAC a thing or two, then moves into an inspiration, if sad, lesson for a young writer. It’s awesome. And Porter’s got fantastic detail on anthropomorphized animals. Who knew.
Given “The Banana Splits” were a thing in the late sixties, some dated references in Suicide Squad/The Banana Splits Special might make sense. But writer Tony Bedard doesn’t go for sixties or seventies jokes; instead, it’s mid-nineties racial jokes. The Banana Splits reinventing themselves gangsta rap is far less problematic than when the cops are shooting at them because cops don’t care about “Animal Americans.” The editors of the book, who work on the far better Hanna-Barbera books, clearly don’t bring anything to those better books if they let that kind of crud through. Otherwise, it’s lame with mild amusements. Harley Quinn and the Elephant are cute. Ditto Killer Croc and the monkey (almost). Ben Caldwell and Mark Morales’s art is fine, but it’s not like it needs to do much.
