Silo (2023) s01e06 – The Relic

No one dies this episode of “Silo,” which be more of an improvement if the first quarter of the episode didn’t seem like a retread of last episode. New sheriff Rebecca Ferguson goes to see judge Tanya Moodie, who’s not feeling well, and lets Common do most of the talking at the meeting. Also going with Ferguson is her new (unwanted) deputy, Chinaza Uche, who was Common’s pick to be sheriff, but instead it’s Ferguson.

Uche gives Ferguson some tips for going to see Moodie, which makes no sense since she went to see Moodie at the end of the last episode. Something just feels off about it.

Not the direction—Bert & Bertie are hands down the best directors “Silo” has had, and they’re able to give Ferguson’s flashbacks with dead boyfriend Ferdinand Kingsley a level of gravitas “Silo” usually can’t reach. They still can’t get Ferguson’s accent in line (though Harriet Walter’s is gone now), and the weird accents make even less sense after the episode has a big reveal of where the silo is located on Earth.

Ferguson had the bright idea to plant evidence on Common’s dead colleague—who killed at least two of five (ish) dead people on the show—and let Uche uncover it. Despite Common wanting Uche for sheriff, Uche’s more than willing to back Ferguson up, but she doesn’t trust him enough to let him. Uche’s really good. I hope he lasts the season.

The investigation into the planted evidence leads Ferguson to guest star Sonita Henry (who’s also really good), a mystery woman from Kingsley’s past. Ferguson had no idea her dead boyfriend had an ex, much less an ex at the top of the silo, not to mention he apparently came from a (relatively) wealthy family. All the revelations make Ferguson rethink her recent decisions, which is the… second episode in a row she does so? Third? Fourth? The only thing more common than Ferguson thinking she should quit and hand the series over to someone else is that someone else getting murdered.

The bumpiness seems to be coming off the script, credit to Aric Avelino. It feels like it’s either supposed to be coming up after hiatus, or Avelino just didn’t see the last episode. Or maybe they changed how they were going to be edited.

It’s a solid episode—certainly better than the lows–, but it’s burned through the flashback goodwill (if it ever had any). It’d also be nice to have some more Tim Robbins. He pops in for a scene, has some fun, pops out. No one else gets to have any fun.

They’ve only four more episodes (to the season; presumably, the show is getting another), and they still haven’t sorted the stakes. How a show set in an underground silo has room to meander is beyond me, but they do.

Fingers crossed Bert & Bertie are back next time, and—no offense—Kingsley finally isn’t.

The Relic (1997, Peter Hyams)

Considering Peter Hyams’s career as a director began in the early seventies, it’s strange to see him reference Alien and the 1976 King Kong—these films being made after he got his start.

The Relic has the one big problem of Hyams’s career overall—he photographs his films himself and he usually uses this “realistic” palette. That palette is often murky and gray and Relic fits the pattern. It’s unfortunate, not just because it makes scenes sometimes hard to understand (as people move through a dark museum, bumping into strange objects), but also because it cuts down on the film’s sensationalism. And, at its heart, The Relic is a solid, unambitious b movie.

Hyams’s direction—lighting aside—is good. He has fantastic shots and a good pace.

But what’s so good about the film is the acting. Hyams gets this personable, charming performance from Tom Sizemore, which is both a lot of fun and very interesting to see Sizemore essay. It’s against type for him and he excels at it.

Penelope Ann Miller gets top billing and she’s superb. She gets to do a lot (including run from a CG monster) and does it all well. She and Sizemore are great together—but she’s great with everyone in the film, whether Linda Hunt and James Whitmore as her mentors or Chi Muoi Lo as her academic adversary.

Lo is hilariously slimy.

The third act has problems—especially the tepid ending—but The Relic’s an okay monster thriller with excellent performances.

2/4★★

CREDITS

Directed and photographed by Peter Hyams; screenplay by Amy Holden Jones, John Raffo, Rick Jaffa and Amanda Silver, based on a novel by Douglas Preston and Lincoln Child; edited by Steven Kemper; music by John Debney; production designer, Philip Harrison; produced by Gale Anne Hurd and Sam Mercer; released by Paramount Pictures.

Starring Penelope Ann Miller (Dr. Margo Green), Tom Sizemore (Lt. Vincent D’Agosta), Linda Hunt (Dr. Ann Cuthbert), James Whitmore (Dr. Albert Frock), Clayton Rohner (Det. Hollingsworth), Chi Muoi Lo (Dr. Greg Lee), Thomas Ryan (Tom Parkinson), Robert Lesser (Mayor Robert Owen), Diane Robin (The Mayor’s Wife) and Lewis Van Bergen (John Whitney).


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