Silo (2023) s01e06 – The Relic

No one dies this episode of “Silo,” which be more of an improvement if the first quarter of the episode didn’t seem like a retread of last episode. New sheriff Rebecca Ferguson goes to see judge Tanya Moodie, who’s not feeling well, and lets Common do most of the talking at the meeting. Also going with Ferguson is her new (unwanted) deputy, Chinaza Uche, who was Common’s pick to be sheriff, but instead it’s Ferguson.

Uche gives Ferguson some tips for going to see Moodie, which makes no sense since she went to see Moodie at the end of the last episode. Something just feels off about it.

Not the direction—Bert & Bertie are hands down the best directors “Silo” has had, and they’re able to give Ferguson’s flashbacks with dead boyfriend Ferdinand Kingsley a level of gravitas “Silo” usually can’t reach. They still can’t get Ferguson’s accent in line (though Harriet Walter’s is gone now), and the weird accents make even less sense after the episode has a big reveal of where the silo is located on Earth.

Ferguson had the bright idea to plant evidence on Common’s dead colleague—who killed at least two of five (ish) dead people on the show—and let Uche uncover it. Despite Common wanting Uche for sheriff, Uche’s more than willing to back Ferguson up, but she doesn’t trust him enough to let him. Uche’s really good. I hope he lasts the season.

The investigation into the planted evidence leads Ferguson to guest star Sonita Henry (who’s also really good), a mystery woman from Kingsley’s past. Ferguson had no idea her dead boyfriend had an ex, much less an ex at the top of the silo, not to mention he apparently came from a (relatively) wealthy family. All the revelations make Ferguson rethink her recent decisions, which is the… second episode in a row she does so? Third? Fourth? The only thing more common than Ferguson thinking she should quit and hand the series over to someone else is that someone else getting murdered.

The bumpiness seems to be coming off the script, credit to Aric Avelino. It feels like it’s either supposed to be coming up after hiatus, or Avelino just didn’t see the last episode. Or maybe they changed how they were going to be edited.

It’s a solid episode—certainly better than the lows–, but it’s burned through the flashback goodwill (if it ever had any). It’d also be nice to have some more Tim Robbins. He pops in for a scene, has some fun, pops out. No one else gets to have any fun.

They’ve only four more episodes (to the season; presumably, the show is getting another), and they still haven’t sorted the stakes. How a show set in an underground silo has room to meander is beyond me, but they do.

Fingers crossed Bert & Bertie are back next time, and—no offense—Kingsley finally isn’t.

Silo (2023) s01e02 – Holston’s Pick

As is the way since, what, “The Shield” in 2002, “Silo” changes its opening titles to adjust for last episode’s big “surprises” as far as lead actor deaths. Also in this episode’s titles is Harriet Walter, which made me happy. I couldn’t wait until Harriet Walter showed up.

And I’m glad she’s getting work other than her standard British lady stuff. Maybe someday it’ll even be a good part. And, maybe someday, her director will tell her—and her British costars—to work on their freaking accents. It wasn’t until Walter shows up I realized… none of the British cast members in “Soil” can hold their accents. Now, “Silo” takes place in an unknown future location. There’s no reason to think it’s not in the UK. Maybe it’s just a Brexit thing.

But neither Walter, Rebecca Ferguson (who’s Swedish, sorry; director Morten Tyldum doesn’t care either), David Oyelowo (who has more to do in this episode than last, even though he’s dying in the present), nor Geraldine James (as the mayor) can do normal sounding accents. They all sound like they just remembered they’re supposed to be doing American and did anyone notice they weren’t. Except Walter. Walter’s doing a voice out of a fantasy cartoon.

This episode opens with Oyelowo walking outside the “Silo,” presumably to his death—only, as all the people inside the silo watch, it’s obvious they’re not going to reveal it right away at the start of the episode. “Silo,” the previous episode established, is all about leaning in on the timeline manipulation. Like in this episode, which establishes Oyelowo is walking out three months after he met Ferguson last episode and had his “connection” with her, or whatever Will Patton called it.

Except as we find out later on in the episode, not only is calling it a “connection” tenuous, they only meet the one time. Oyelowo’s just a special guest star. They have a relatively eventful first meeting—including Ferguson revealing she and Ferdinand Kingsley are lovers and have been exploring the history of the silo—the forbidden history. Also, they’re forbidden lovers. Kingsley’s an amateur archeologist, which is super-illegal, and he doesn’t want to put a ring on it because then Ferguson would be liable for his crimes or something.

This episode also introduces Common—who may have been in a crowd shot last time—as one of the future KGB guys or whatever. They all dress in black, and they make people disappear and whatnot. It’s pointless because the show’s obviously waiting to explain it for emphasis later, not just telling the audience what they need to know. Then, the content might have to be interesting rather than its presentation.

But it’s 2023, and presentation over content is how streaming prestige series roll.

Director Tyldum failed some very basic sci-fi imagery last episode and continues to do so here, except this episode’s also where AppleTV+ apparently told “Silo” to cut back on the CGI a bit (not a good sign telling them to cut back on episode two, obviously). The composites are particularly poorly lighted, but since Tyldum’s not interested in making it visually engaging or compelling… it doesn’t matter?

They promise things will get interesting next episode—unraveling conspiracies and solving murderers interesting—but it’s also their TV show. They could’ve just made it interesting from the start.