The Immortal Iron Fist 20 (January 2009)

529837.jpg
Okay, Swierczynski is finally back on track. Forgetting the special, he’s now written more good issues of The Immortal Iron Fist than mediocre or bad.

This issue resolves—maybe a little too conveniently (it should have taken eight)—Danny’s possible death at thirty-three. It also gets the search for the Eighth City back underway and brings in the Immortal Weapons to a more central role.

Not sure how much of it is Swierczynski’s fault for not plotting the arc right or if Fraction just left him with too much to do.

Swierczynski puts a solid bow on the whole thing, but all the stuff with Misty seems like a misfire. Though Foreman’s hat for her for her big farewell scene with Danny is brilliant. Swierczynski just never establishes their relationship as anything significant. It doesn’t feel like their goodbye has any real weight.

Still, I’m enthusiastically reading once more.

CREDITS

The Mortal Iron Fist, Conclusion; writer, Duane Swierczynski; artists, Russ Heath and Travel Foreman; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 19 (December 2008)

529836.jpg
Oh, there are other Immortal Weapons? Wonder if their appearance has anything to do with the issue working.

Just as Swierczynski gets out of his writing rut—well, I’m not sure if that’s an accurate description—he returns to a decent approximation of Brubaker and Fraction’s run on the title, Foreman just plummets.

He goes through maybe four different styles here, but the unifying factor is his people look different from panel to panel. Not like he forgot a facial characteristic, more like in one panel he draws one as a toad and in the next as a butterfly. It’s awful looking.

While Swierczynski does underuse the other Immortal Weapons (just having them show up is nice), he does return some intelligence to Danny, some thoughtfulness. The opening scene works great, even with Foreman confounding the whole thing.

Not sure the series is back on track, but it’s much improved.

CREDITS

The Mortal Iron Fist, Chapter Three; writer, Duane Swierczynski; artists, Travel Foreman and Russ Heath; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 18 (October 2008)

iif18.jpg
Okay, either Swierczynski is covering for Foreman or Foreman is covering for Swierczynski here.

There simply is not enough story this issue. It’s not so much a pacing question, it’s just… almost no story. Luke, Colleen and Misty rescue Danny from the guy who’s out to get him (a demon, I think), Danny recuperates, cliffhanger at Danny’s kung fu school for kids. Some scenes in K’un-L’un, establishing everyone but Danny knows about the Iron Fist-killing demon. Oh, and that new hire at Rand, the one I said was a bad guy?

He’s a bad guy.

I’m not quite given up on Immortal Iron Fist, but Swierczynski is definitely showing some problems here. He just doesn’t have an approach to the series. He’s trying to continue the Brubaker and Fraction run, not bring anything new (having Danny be funny about dating Misty doesn’t count).

My optimism is falling fast.

CREDITS

The Mortal Iron Fist, Chapter Two; writer, Duane Swierczynski; artists, Travel Foreman and Russ Heath; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 17 (September 2008)

if17.jpg
Swierczynski’s approach to Iron Fist is to continue the Brubaker and Fraction format. We even get Heath doing the flashback art.

There’s one big difference. First is how Swierczynski structures the villain in the issue. He’s not mysterious. We get his story right away. And his motivation is pretty straightforward. He’s the guy who kills the Iron Fists at thirty-three–it’s kind of like Halloween: H20, but on a thirty-three year cycle.

Also strange is the way Swierczynski continues from the previous issue. He does a direct sequel (though a few pages are prologue to it). So the last issue has that amazing moment with Danny’s friends surprising him with a cake and this issue has it be a whole party.

I’m generally positive… except how Foreman keeps changing his style. Sometimes he’s finished, sometimes he’s rough. It’s too varied for a single issue.

Reading with guarded optimism….

CREDITS

The Mortal Iron Fist, Chapter One; writer, Duane Swierczynski; artists, Travel Foreman and Russ Heath; colorist, Matt Milla; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist: Orson Randall and the Green Mist of Death (2008) #1

Iifgd

Fraction takes on the writing chores here solo but since it’s an Orson Randall story set in the thirties and forties, it’s kind of hard to tell what not having Brubaker around does to it.

The majority of the story feels like it takes place in Germany, when Orson shows up at Frankenstein’s castle. I haven’t seen Marvel use the Monster of Frankenstein in a while; Fraction does a great job with the cameo. The art on that section is from LaRosa and Gaudiano and is the best in the issue.

The art’s all pretty good, except Breitweiser. Even he gets a little bit better as his pages progress, but he’s nothing compared to the earlier artists.

The issue balances exploring Orson’s adventures while still offering new information for readers of the regular title. Turns out the Thunderer’s revolution had been long planned.

There are plot holes, but who cares.

The Immortal Iron Fist: Orson Randall and the Green Mist of Death 1 (April 2008)

ifor.jpg
Fraction takes on the writing chores here solo but since it’s an Orson Randall story set in the thirties and forties, it’s kind of hard to tell what not having Brubaker around does to it.

The majority of the story feels like it takes place in Germany, when Orson shows up at Frankenstein’s castle. I haven’t seen Marvel use the Monster of Frankenstein in a while; Fraction does a great job with the cameo. The art on that section is from LaRosa and Gaudiano and is the best in the issue.

The art’s all pretty good, except Breitweiser. Even he gets a little bit better as his pages progress, but he’s nothing compared to the earlier artists.

The issue balances exploring Orson’s adventures while still offering new information for readers of the regular title. Turns out the Thunderer’s revolution had been long planned.

There are plot holes, but who cares.

CREDITS

The Golden Age Iron Fist!; writer, Matt Fraction; pencillers, Nick Dragotta, Russ Heath, Lewis LaRosa and Mitch Breitweiser; inkers, Mike Allred, Heath, Stefano Gaudiano and Breitweiser; colorists, Laura Allred, Heath and Matt Hollingsworth; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist (2007) #6

Iif06

What Brubaker brings to his Marvel work is a retro vibe. His good comics feel like familiar seventies comics modernized. What Fraction brings is a smart blockbuster. His comics feel like big Hollywood movies written by John Sayles. Lots of set pieces, sure, but lots of humanity.

I’m not sure this issue is the perfect combination–I haven’t read seventies Iron Fist–but it sure seems like it. When the Heroes for Hire show up to save the day, when Danny and Misty reconcile in a sentence… it all feels like perfect Marvel Brubaker.

And the ending, when Orson sacrifices himself to give Danny the power to beat Davos–Steel Serpent, still not sure how it makes sense for him to have known about Orson but Danny never did (ah, the Brubaker retcon)–it works. Fraction makes the scene work. It’s not cheap, it’s not weak, it’s glorious.

Great issue.

The Immortal Iron Fist (2007) #3

Iif03

I’m a little unclear on what actually happens this issue. Things do happen, it’s a good issue, but not many things happen. But Fraction–not Brubaker, because Brubaker’s Marvel work never makes an issue feel fuller than it is–manages to make it feel like a real experience, even though the only really important thing is when Danny meets Orson Randall at the end.

The rest of the issue is filled mostly with villain stuff. It’s not clear (to me anyway) whether Hydra is run by this bad guy who’s after the Iron Fist or if he’s just running some of Hydra. It’s also not clear if it’s important (isn’t Hydra just an easy villain organization to use, like SPECTRE?).

Brubaker and Fraction hint at Danny making a decision to be a businessman–they get distracted with the great conclusion of him meeting Randall.

A fantastic issue (where nothing happens).

The Immortal Iron Fist 6 (July 2007)

345112.jpg
What Brubaker brings to his Marvel work is a retro vibe. His good comics feel like familiar seventies comics modernized. What Fraction brings is a smart blockbuster. His comics feel like big Hollywood movies written by John Sayles. Lots of set pieces, sure, but lots of humanity.

I’m not sure this issue is the perfect combination–I haven’t read seventies Iron Fist–but it sure seems like it. When the Heroes for Hire show up to save the day, when Danny and Misty reconcile in a sentence… it all feels like perfect Marvel Brubaker.

And the ending, when Orson sacrifices himself to give Danny the power to beat Davos–Steel Serpent, still not sure how it makes sense for him to have known about Orson but Danny never did (ah, the Brubaker retcon)–it works. Fraction makes the scene work. It’s not cheap, it’s not weak, it’s glorious.

Great issue.

CREDITS

The Last Iron Fist Story, Part 6; writers, Ed Brubaker and Matt Fraction; artists, David Aja and Russ Heath; colorists, Matt Hollingsworth and Laura Martin; letterer, Dave Lanphear; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.

The Immortal Iron Fist 3 (March 2007)

skitched-20101207-070130.jpg
I’m a little unclear on what actually happens this issue. Things do happen, it’s a good issue, but not many things happen. But Fraction–not Brubaker, because Brubaker’s Marvel work never makes an issue feel fuller than it is–manages to make it feel like a real experience, even though the only really important thing is when Danny meets Orson Randall at the end.

The rest of the issue is filled mostly with villain stuff. It’s not clear (to me anyway) whether Hydra is run by this bad guy who’s after the Iron Fist or if he’s just running some of Hydra. It’s also not clear if it’s important (isn’t Hydra just an easy villain organization to use, like SPECTRE?).

Brubaker and Fraction hint at Danny making a decision to be a businessman–they get distracted with the great conclusion of him meeting Randall.

A fantastic issue (where nothing happens).

CREDITS

The Last Iron Fist Story, Part 3; writers, Ed Brubaker and Matt Fraction; pencillers, David Aja, Travel Foreman and Russ Heath; inkers, Aja, Derek Fridolfs and Heath; colorist, Matt Hollingsworth; letterer, Dave Lanphear; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.