Tag Archives: Robert Guillaume

Perry Mason: The Case of the Scandalous Scoundrel (1987, Christian I. Nyby II)

Perry Mason: The Case of the Scandalous Scoundrel is a bit disappointing. It’s got a really lame script from Anthony Spinner. Spinner doesn’t have a good mystery, he doesn’t write characters well, he writes dialogue something awful. So there are no expectations from the script. However, Scoundrel has a great cast. A great cast who often can even get water from the stony script.

So it’s a bit disappointing. It’s kind of pleasant to watch, mostly because Barbara Hale has this secret admirer C plot and it gives her something to do. And Raymond Burr’s got some fine moments. Director Nyby doesn’t direct the scenes well–Burr’s fine moments, I mean–but he’s not disruptive. Burr still gets the moment, just not as effectively as he could have.

And some of Nyby’s direction is solid. If it’s interiors and not back and forth dialogue, he does some pretty darn good work for a TV movie. Everything else is a bit of a mess. Not always a big mess, but definitely some kind of one. He shoots terrible coverage.

Now, the cast. William Katt’s romancing defendant Susan Wilder. She’s not good, but she’s not bad. Morgan Brittany is bad. Other than those two performances, everything is great. Yaphet Kotto’s an ex-army general, Wings Hauser’s his sidekick. They’re both good, but Hauser’s actually awesome. Good enough even Nyby figured out how to direct his scenes. George Grizzard’s Brittany’s suffering husband. He’s good. René Enríquez’s a corrupt banker. He’s good. Robert Guillaume’s a loathsome tabloid king. He’s not so much good as it’s really cool to see him play loathsome. He revels in it. And Eugene Butler is excellent as Guillaume’s sidekick. Lots of sidekicks in Scoundrel, probably because Spinner’s quite bad at plotting out a mystery.

Not a great hour for David Ogden Stiers. He and Burr don’t have any actual rapport, which just makes it seem like Stiers is a buffoon. It’s also a little strange to see James McEachin showing up as a dimwit instead of his regular cop part. It’s like there’s some joke and the viewer is left out.

Technically it’s fine, other than a weak score from the usually solid Dick DeBenedictis.

Scoundrel has a lot of good actors giving good performances from a terrible script. It’s engaging so long as the actors are weathering that script well. And Nyby certainly doesn’t help things. The handful of well-directed scenes can’t make up for the rest, especially not with the dumb script.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Christian I. Nyby II; teleplay by Anthony Spinner, based on characters created by Erle Stanley Gardner; director of photography, Arch Bryant; edited by Carter DeHaven and David Solomon; music by Dick DeBenedictis; produced by Peter Katz; aired by the National Broadcasting Company.

Starring Raymond Burr (Perry Mason), Barbara Hale (Della Street), William Katt (Paul Drake Jr.), Susan Wilder (Michelle Benti), Robert Guillaume (Harlan Wade), Eugene Butler (Nick Moretti), George Grizzard (Dr. Clayman), Morgan Brittany (Marianne Clayman), René Enríquez (Oscar Ortega), Wings Hauser (Capt. James Rivers), Yaphet Kotto (General Sorenson) and David Ogden Stiers (Michael Reston).


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Seems Like Old Times (1980, Jay Sandrich)

Seems Like Old Times is an enthusiastic homage to the screwball comedy. Most of the action takes place at Goldie Hawn’s house, where she’s trying to hide fugitive ex-husband Chevy Chase from current husband–and district attorney–Charles Grodin. She’s a public defender who takes in all of her clients, giving them jobs so they can provide comic relief in their interactions with Grodin and his straight-laced pals.

It’s not a successful homage to the screwball comedy, unfortunately. Neil Simon’s script doesn’t have the rapid fire dialogue. He lets Chase sleepwalk through the film. Chase has some charm and he’s got some decent moments, but he’s barely in the film. Old Times goes more on Hawn not having chemistry with Grodin than it does on rebuilding chemistry between Chase and Hawn. Maybe because the problem isn’t her marriage, but him being on the lamb. And barely in the movie.

But even if Simon’s script were full of rapid fire dialogue to give it that screwball comedy feel–outside the absurd yet domestic antics–director Sandrich wouldn’t know what to do with it. Because Simon occasionally goes have a phenomenal scene, usually involving Harold Gould’s judge. Gould’s doing a mild Groucho and it works beautifully. But Sandrich doesn’t direct his cast towards energy, quite the opposite. Grodin walks away with the middle half of the film just because he’s actually being active. Hawn’s reduced to sitting around and waiting for something to happen to her.

And even if Sandrich directed it all perfectly, Michael A. Stevenson wouldn’t cut it together well. He holds takes too long, holds reactions shots too long. Seems Like Old Times is too slow. Having a fast moving Marvin Hamlisch score only does so much, especially since it’s not a particularly good score. It’s got good moments, but overall, it leaves a lot to be desired.

The acting is all solid, some better than others. Hawn’s best when she’s not with Chase as Simon reduces her to the straight man while tranquilizing Chase to the point no one’s running the scene. She’s still Goldie Hawn, after all; she’s adorable. Chase’s funny. Grodin’s funny. Robert Guillaume’s funny. George Grizzard’s pretty good in a small part. Gould’s great. T.K. Carter’s kind of great; he’d be better if Simon gave him all strong material instead of occasionally falling back on young black kid with white folks humor.

Seems Like Old Times should be a lot better. But it’s still got some solid laughs, a lot of smiles and a reasonable amount of charm.

2/4★★

CREDITS

Directed by Jay Sandrich; written by Neil Simon; director of photography, David M. Walsh; edited by Michael A. Stevenson; music by Marvin Hamlisch; production designer, Gene Callahan; produced by Ray Stark; released by Columbia Pictures.

Starring Goldie Hawn (Glenda Parks), Charles Grodin (Ira Parks), Chevy Chase (Nicholas Gardenia), Robert Guillaume (Fred), Harold Gould (Judge John Channing), Yvonne Wilder (Aurora), T.K. Carter (Chester), Judd Omen (Dex), Marc Alaimo (B.G.) and George Grizzard (Governor).


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