My Cousin Vinny succeeds due to a strange combination of Dale Launer’s script and the charm of the cast. It’s a strange combination because director Lynn seems entirely inept at facilitating it–all of Lynn’s directorial flourishes flop (for a while, he tilts the camera for emphasis and then forgets about it) and the rest of the time he’s very pedestrian. Peter Deming’s photography is rather bland too. And the editing from Tony Lombardo and Stephen E. Rivkin is downright inept.
But Vinny works. Launer’s script has a great structure–even if Ralph Macchio and Mitchell Whitfield, as two wrongly accused college students, are more annoying than sympathetic (Whitfield’s more grating, but his performance is better than Macchio’s). Launer positions all the subplots and characters; the film takes place in the South and the caricatures are distinct enough to be memorable, so when he calls them back later, there’s enough foundation.
Later is when the film gets to the trial section, but before then there’s the introduction of Joe Pesci (as the students’ lawyer) and Marisa Tomei as his fiancée. They’re mostly caricature too, just nice ones. Pesci and Tomei get by on a lot of charm and a lot of chemistry. She’s so impressive, his best scene is reacting to one of her better deliveries (not even her best).
Along with great support from Fred Gwynne, Lane Smith and Bruce McGill, the film ends up a decent success. It’s unfortunate the direction’s not stronger, but the acting’s what matters.
Directed by Jonathan Lynn; written by Dale Launer; director of photography, Peter Deming; edited by Tony Lombardo and Stephen E. Rivkin; music by Randy Edelman; production designer, Victoria Paul; produced by Launer and Paul Schiff; released by 20th Century Fox.
Starring Joe Pesci (Vinny Gambini), Marisa Tomei (Mona Lisa Vito), Fred Gwynne (Judge Chamberlain Haller), Ralph Macchio (Bill Gambini), Mitchell Whitfield (Stan Rothenstein), Lane Smith (Jim Trotter III), Bruce McGill (Sheriff Farley) and Austin Pendleton (John Gibbons).