Black Widow (2004) #2

Bw02

With Parlov taking over the layouts, all of a sudden it reminds me of Ennis.

Well, not really. Morgan does a fine job with Natasha—his brief first person narration works, instead of the usual, lengthy nonsense male writers do when writing first person narration for female characters—but the only other female character in the issue is so bad Jeph Loeb could’ve written her.

Some evil spy lady is—shocker, a lesbian—and violently lusting after a waitress. It’s like Ennis done bad.

Otherwise, the issue is good. It’s not as strong as the first issue because there’s not as much going on. None of the action scenes are memorable. Morgan sort of front-loaded it, especially for a six issue series. His second issue is a bridging issue, which is odd.

I’m confident he’ll get back on track, since he doesn’t leave it here… he just slows down.

Black Widow (2004) #1

Bw01

I’ve read this Black Widow series before, but it’s been so long I forgot Bill Sienkiewicz does the art. I remembered it was good, but I didn’t remember why it’s good. So it’s a nice surprise.

Richard K. Morgan doesn’t have any Marvel Universe stuff here. It’s just a retired spy story so far—Natasha keeps trying to get out (moving to Monument Valley to rock climb, what’s more American than that?), and they keep pulling her back in.

It appears the bad guys are some Blackwater stand-in. Or something. With ex-Soviets along for the ride.

The issue gets Natasha from retirement to being on the run; along the way she acquires a sidekick and plays superhero for a scene. But it’s a really tough scene. The book’s only a Marvel Knights title, but mean-spirited enough it could’ve been a MAX.

Natasha’s ruthless (appropriately) and vicious (appropriately).