Doctor Who (2005) s03e06 – The Lazarus Experiment

What is this show’s problem with companions’ mothers? We briefly met new companion Freema Agyeman’s mom, Adjoa Andoh, in the season premiere and she seemed fine.

Nope.

She’s possibly even more annoying than previous companion’s mom Camille Coduri, which doesn’t even seem possible, but the episode manages it, with mystery dweeb Bertie Carvel warning Andoh against Doctor David Tennant. Even as Tennant is saving the world from literal monsters as well as explicitly saving Andoh’s daughters, both Agyeman and Gugu Mbatha-Raw. Not to mention strangely henpecked son Reggie Yates. Tennant saves them all.

But Andoh doesn’t like him because he’s nerdy. Is Andoh okay with Mbatha-Raw’s creep boss, Mark Gatiss, who’s the villain and subject of the episode.

We open with Tennant bringing Agyeman home; she’s not his new companion, so she’s got to go home. And he manages to drop her off just twelve hours after picking her up, showing a far better control of time travel than he ever did with previous companion Billie Piper.

Of course, he’s also about to have conversations with Agyeman, which didn’t happen much with Piper.

Anyway. They see on the news how Gatiss is going to change the course of human history so Tennant decides to stick around.

They go to the presentation and Gatiss makes himself young—he starts in old age makeup—and then turns into a monster and decides to eat everyone. So Tennant has to save the day, while convincing the locals Gatiss is a monster—see, he can change back into his human persona after he feeds.

You think once he saves Andoh the second time she’s going to stop being so one-note but nope.

It’s strange the show had a first time writer—Stephen Greenhorn—handle establishing not just Agyeman’s supporting cast but also some kind of conspiracy against the doctor. Especially such a mediocre one. Greenhorn’s teleplay would do better if Gatiss were better—it’s a little much when he gets a Roy Batty moment just so he can artlessly mug—and Richard Clark’s direction’s fine.

Tennant, Agyeman, and Mbatha-Raw are all great.

And it’s significantly better than most Earth episodes, I suppose. Just imagine how much better it would be if the Andoh stuff weren’t bad and the monster didn’t look like mid-nineties video game CGI.

Doctor Who (2005) s03e01 – Smith and Jones

New only-other-billed actor (but technically not the new companion yet) Freema Agyeman guest starred at the end of last season but is playing a different character here. Thank goodness. Agyeman is a medical resident, so it’s going to be the Doctor and a doctor going forward, which is a lot better than a vague IT tech (her previous role). She’s just trying to go about her very regular day—running into an energetic David Tennant on her way to work—and then finding him again when she’s doing her medical rounds. Only he doesn’t remember her.

Or does he remember her. It’s unclear. We’ve spent the episode setup with Agyeman—meeting her entire supporting cast, in what seems to be the show promising they’re going to be entertaining and not annoying like a certain someone’s supporting cast—and the episode does take a while to shift the narrative distance back to the familiar Tennant one. The much bigger emphasis is on Agyeman. And it’s great.

The show itself seems thrilled to have her. Meanwhile, Tennant’s still sad about Rose going—the episode’s an indeterminate period after the Runaway Bride special—but then the episode’s like, look how much more fun we can have with Agyeman and Tennant than we ever did with Tennant and Billie Piper. Why is Russell T. Davies all of a sudden writing a much stronger female character? Well, basically because it’s the character establishing and it’s a lot easier to establish a stronger female character than to build one up from “shop girl.”

The story’s also great—a bunch of intergalactic mercenaries has transported Agyeman’s hospital (including Tennant) to the moon so they can search it for a rogue alien. Presumably not Tennant. It could also be evil patient Anne Reid, who’s absolutely fantastic. The mercenaries are rhino-faced aliens, which works out awesome (especially the budgetary gymnastics).

Not great special effects but sometimes quite good direction from Charlie Palmer, and a great energy thanks to Agyeman—and to the more fun approach to the action.

Now, hopefully they can keep up the momentum.