Evil Empire 1 (March 2014)

Evil Empire 001 coverANoam Chomsky it ain’t.

With Evil Empire, Max Bemis is out to show how the United States could become an evil empire. Not sure exactly why he didn’t base it off of other societies who became “evil empires,” seeing as how there are two or three really good examples from the twentieth century alone.

Instead, Bemis does a liberal’s pipe dream about a Republican admitting to murder, in front of a cross no less.

Bemis has his leads–the secretly earnest white guy Democrat who wants to date–professionally and personally–this Beyonce-like underground political rapper. Empire isn’t just not Noam Chomsky, it isn’t just not “West Wing,” it’s not even Mars Attacks! in terms of rational political imagination.

Not to be too negative, of course. Bemis’s dialogue is okay about thirty percent of the time and Ransom Getty’s art’s fine about seventy. The comic’s just a moronic idea.

D+ 

CREDITS

Writer, Max Bemis; artist, Ransom Getty; colorist, Chris Blythe; letterer, Ed Dukeshire; editors, Jasmine Amiri and Dafna Pleban; publisher, Boom! Studios.

Suicide Squad 1 (November 2011)

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So the new DC is helping overcome obesity by turning Amanda Waller into a babe? I’m not sure what else I’m supposed to get out of Suicide Squad.

Adam Glass is not a terrible writer. He’s got a dumb job, but he gets through it. We get introduced to some of the cast, in their post-New 52 origins. Deadshot’s seems to be the same.

But, wow, in Deadshot’s origin flashback, we get to see just how bad the art is going to get. Artists Frederico Dallochillo, Ransom Getty and Scott Hanna (no one wants to take responsibility for penciling or inking, apparently) are never good, but that Deadshot flashback with Batman is something else. The art gets terrible… before getting worse.

Suicide Squad is probably a hard book to screw up, but with a pointless story and bad art, it’s difficult to come up with a reason to return.

CREDITS

Kicked in the Teeth; writer, Adam Glass; pencillers, Federico Dallocchio and Ransom Getty; inkers, Dallocchio, Getty and Scott Hanna; colorist, Val Staples; letterer, Jared K. Fletcher; editors, Sean Mackiewicz and Pat McCallum; publisher, DC Comics.