My Thin Man affection aside, I’m not against sobriety. However, Russell Brand movies integrate the glory of AA to the point it hurts the film (Get Him to the Greek made a similar move at a similar time). The development hurts Arthur, somewhat significantly. It’s good the film has Greta Gerwig, as she pulls it through.
The film is a very pleasant surprise; Brand has shown he can be endearing while still being raucous, but this film is the first I’ve seen where it suggests he might actually be able to act as well. He’s mostly acting opposite Helen Mirren or Gerwig, so he definitely has a lot of support.
The approach helps. Of course it’s nowhere near as good as the original, but it doesn’t compete. Between Brand, Gerwig and Mirren, it engenders a totally different response.
A lot of the film is Mirren’s show—it’s funny because of her responses to Brand. Her career’s gotten so much more interesting as she’s taken these varied roles.
Gerwig’s excellent. Since I’d never seen her before, I was pleasantly surprised, but Arthur has two other big surprises. First, Jennifer Garner’s fantastic. It’s like she was born to play a (realistic) heartless harpy. The other surprise is Nick Nolte (in a small role as Garner’s father). He’s atrocious. I’m not sure they even bothered making sure he was awake.
Winer’s direction is good, very calm and self-aware.
I was hopeful for Arthur, but it’s better than I thought it could be.
Directed by Jason Winer; written by Peter Baynham, based on the film by Steve Gordon; director of photography, Uta Briesewitz; edited by Brent White; music by Theodore Shapiro; production designer, Sarah Knowles; produced by J.C. Spink, Russell Brand, Larry Brezner, Kevin McCormick, Chris Bender and Michael Tadross; released by Warner Bros.
Starring Russell Brand (Arthur), Helen Mirren (Hobson), Greta Gerwig (Naomi), Jennifer Garner (Susan), Geraldine James (Vivienne), Luis Guzmán (Bitterman) and Nick Nolte (Burt Johnson).