Tag Archives: Karl Urban

Sgt. Rock (2019, Bruce Timm)

Sgt. Rock is a bait and switch. But what’s got to be a pointless one. The bait is a fifteen minute “violent” Sgt. Rock cartoon with Karl Urban doing the voice. Only the character doesn’t get many lines and when he does, they’re usually barking orders lines. So basically it’s like Karl Urban doing the voice of an action figure. Could be a Sgt. Rock figure, could be a Judge Dredd figure, doesn’t matter. As far as delivering on Karl (“Make Dredd 2”) Urban as famous DC Comics WWII war comic Sgt. Rock? Fail.

Only it’s not some cartoon about Urban doing war things. It’s about the Creature Commandos. It’s a Creature Commandos cartoon. It should be called Sgt. Rock and the Creature Commandos. Maybe His Creature Commandos if you want to kick dirt at the competition but Rock doesn’t really have the gumption to kick dirt. And shouldn’t. The best thing about it is how writers Louise Simonson, Walter Simonson, and Tim Sheridan plot the big fight scene. Rock’s a really simple fifteen minutes—war battle scene, hospital and assignment, Creature Commandos reveal, Creature Commandos vs. Zombie Wehrmacht. There’s no character development, the Frankenstein Monster doesn’t get a line (or a direct name), the werewolf gets even less (though he’s scared of shadows), and vampire guy gets a name and a hiss. Oh, and Urban runs into his German nemesis, “The Iron Major” (William Salyers), because it’s a comic book.

As amusement, Sgt. Rock flops. Timm’s direction is lousy. The animation’s cheap and whatnot, but the direction’s lousy. Whenever Timm runs out of ideas, he does slow motion. There’s a lot of slow motion. As a pitch for a “feature” sequel, Rock flops. As a violent cartoon, Rock flops—there’s some creative violence, but the animation’s so cheap the impact’s all lost. As an encouragement to read Sgt. Rock comics, fail. As an encouragement to read Creature Commandos comics… incomplete. It’s feasible Rock could get one interested in the comics. I’m curious (though more because of the Commandos creative team).

As a reminder it’s sad there’s no Dredd 2? Well, on that level, Sgt. Rock might just be a success. But only if you lose interest enough to daydream.

1/3Not Recommended

CREDITS

Directed by Bruce Timm; screenplay by Louise Simonson, Walter Simonson, and Tim Sheridan, based on the DC Comics characters created by Robert Kanigher, Joe Kubert, J.M. DeMatteis, and Pat Broderick; edited by Christopher D. Lozinski; music by Lolita Ritmanis, Michael McCuistion, and Kristopher Carter; producer, Amy McKenna; released by Warner Bros. Home Entertainment.

Starring Karl Urban (Sgt. Rock), Keith Ferguson (Lt. Shreive), and William Salyers (The Iron Major).


Advertisements

Pathfinder (2007, Marcus Nispel), the unrated version

If Pathfinder weren’t so long, it might be more amusing. For the first hour, it’s actually rather tolerable. It’s not any good, of course, but the story of this Native American tribe encountering invading Vikings does look good. There’s decent photography from Daniel Pearl and director Nispel, for all his problems, does compose the wilderness shots well.

But then the Vikings, led by the Kurgan–Clancy Brown in the film’s “best” performance–capture the hero (Karl Urban) and his lady friend (Moon Bloodgood). The sequence goes on forever, with Nispel borrowing action thrills out of Predator, Cliffhanger and probably Commando, only without knowing how to direct them.

Nispel’s inability to shoot action–he thinks making it gory covers him–is one of the biggest problems with Pathfinder. Another big problem is how stupid it gets. Having the Vikings be the villains sounds like an action figure play set from the seventies–Vikings vs. Indians–but, if the filmmakers played it straight, might at least be interesting as a “what if” thing. Instead, as my wife pointed out, they turned the Vikings into Klingons, complete with vicious dogs.

Will the hero–I forgot, Urban was a Viking lad stranded during their previous invasion who grew up with the Native people–battle Kurgan of the Klingons? Will he save Bloodgood? Will the movie ever end?

Urban’s got a terribly written part but he’s better than Bloodgood. No one’s worse than Russell Means. Jay Tavare’s nearly okay.

Pathfinder’s a terrible movie. Boring too.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Marcus Nispel; screenplay by Laeta Kalogridis, based on the film by Nils Gaup; director of photography, Daniel Pearl; edited by Jay Friedkin and Glen Scantlebury; edited by Jonathan Elias; production designer, Greg Blair; produced by Mike Medavoy, Arnold Messer and Nispel; released by 20th Century Fox.

Starring Karl Urban (Ghost), Moon Bloodgood (Starfire), Russell Means (Pathfinder), Ralf Moeller (Ulfar), Jay Tavare (Blackwing), Nathaniel Arcand (Wind In Tree), Kevin Loring (Jester) and Clancy Brown (Gunnar).


RELATED

Doom (2005, Andrzej Bartkowiak), the unrated version

Doom may very well be the worst inoffensive film I’ve ever seen. Director Bartkowiak and his crew redefine ineptness in production values. No one does a good job, everyone does something benignly terrible, whether it’s photographer Tony Pierce-Roberts’s blue hue for everything or composer Clint Mansell’s inability to create tension. It’s all bad.

Bartkowiak has absolutely no ambition for the film. It’s a video game adaptation featuring a lengthy sequence where the protagonist (Karl Urban) “plays the game” and the audience watches. The action in that scene, mimicking the video game, is–in terms of content–better than any of the other action sequences. Instead of translating the game’s content to a film medium, Bartkowiak rips off every popular sci-fi action movie since the late seventies and creates a bunch of Mars-centered nonsense.

It’s pointless. Why bother? Because it’s obvious and bad and it’s sort of compelling to see something where no one tries so nothing can go right or wrong. The blue lighting, for example. How much does it matter? Good lighting wouldn’t make the movie any good, just a little bit more competent. Not even better, because the ineptness is the closest Doom gets to charm.

There’s some decent acting from Deobia Oparei and Razaaq Adoti. Bad acting from Richard Brake and Al Weaver. The three leads–Karl Urban, Rosamund Pike and Dwayne Johnson–are sometimes okay and sometimes bad.

Doom is a terrible film. But the script’s inventively derivative enough to keep it moving.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Andrzej Bartkowiak; screenplay by Dave Callaham and Wesley Strick, based on a story by Callaham; director of photography, Tony Pierce-Roberts; edited by Derek Brechin; music by Clint Mansell; production designer, Stephen Scott; produced by Lorenzo di Bonaventura and John Wells; released by Universal Pictures.

Starring Karl Urban (John Grimm), Dwayne Johnson (Sarge), Rosamund Pike (Samantha Grimm), Deobia Oparei (Destroyer), Razaaq Adoti (Duke), Richard Brake (Portman), Al Weaver (The Kid), Brian Steele (Hell Knight), Ben Daniels (Goat), Yao Chin (Mac) and Dexter Fletcher (Pinky).


RELATED

Dredd (2012, Pete Travis)

Dredd is a good time. Sure, it features exceptional ultraviolence, but director Travis finds a gimmick–the drug “Slo-Mo” slows time for its user–to make the violence appear almost academic. One wonders how they did the special effects for the sequence. Travis also never glorifies the bad guys, which is interesting for what’s sort of a superhero movie. I say “sort of” because Dredd’s more like an episode of a really good future cop show. Its present action is short; it’s a procedural.

Besides Travis’s direction–and Karl Urban’s performance as the lead–Alex Garland’s script is the major factor in the film’s success. Even when Urban’s alone in a scene, even if the shot’s from his point of view, Dredd always gives him a lot of distance. Even though he narrates the expository prologue, the viewer isn’t supposed to identify with him. The viewer’s occasionally supposed to identify with the bad guys, always with his rookie partner (Olivia Thirlby), but never with Urban. Having an indifferent protagonist work in an action movie might be Dredd’s greatest success.

Also lending to the episodic nature are the villains. Wood Harris has what almost amounts to a cameo appearance–though he’s on screen for a lot of the first half, he’s silent–and Lena Headey’s great as the big villain.

Good music from Paul Leonard-Morgan, good photography from Anthony Dod Mantle.

Dredd never tries to be ambitious; it over succeeds. Much better than the other way around.

3/4★★★

CREDITS

Directed by Pete Travis; screenplay by Alex Garland, based on characters created by John Wagner and Carlos Ezquerra; director of photography, Anthony Dod Mantle; edited by Mark Eckersley; music by Paul Leonard-Morgan; production designer, Mark Digby; produced by Andrew Macdonald, Allon Reich and Alex Garland; released by Lionsgate.

Starring Karl Urban (Judge Dredd), Olivia Thirlby (Anderson), Lena Headey (Ma-Ma), Wood Harris (Kay), Langley Kirkwood (Judge Lex), Junior Singo (Amos), Luke Tyler (Freel), Jason Cope (Zwirner), Domhnall Gleeson (Clan Techie), Warrick Grier (Caleb) and Rakie Ayola (Chief Judge).


RELATED


THIS FILM IS ALSO DISCUSSED ON BASP | JUDGE DREDD (1995) / DREDD (2012).