I Confess is unwieldy.
Director Hitchcock is extremely precise in his composition, the same goes for Robert Burks' photography (especially the photography) and Rudi Fehr's editing (which changes in harshness based on the story's tone); sure, Dimitri Tiomkin's music is all over the place and intrusive, but it fits the script. George Tabori and William Archibald's ties together three very different stories–Confess is from a play, which explains some of the problems–but the end result is a disservice to the fine production values and some wonderful acting.
Besides the disjointed nature of the narrative, which keeps a big secret from the audience for the first fifteen minutes for a pointless surprise. The film never recovers from it, right up until the last scene.
Hitchock just has too many MacGuffins–is Confess about priest Montgomery Clift's struggle to cope with evil rectory worker O.E. Hasse's confession, is it about Clift's struggle to figure things out with pre-vows love Anne Baxter, is it about Clift trying to evade bulldog (but inept) police inspector Karl Malden's investigation? No, it's about all three and none at all.
Clift is phenomenal in the film, even though he only has a handful of full scenes. Hitchcock seems more comfortable having him silently react to events; Clift's great at such reactions, he's just capable of a lot more.
Instead, Hitchcock gives Baxter some big dialogue scenes and she nails them.
Thanks to the script, I Confess wastes its potential (Clift, Baxter, the gorgeous Canadian locations and everything else).
Directed by Alfred Hitchcock; screenplay by George Tabori and William Archibald, based on a play by Paul Anthelme; director of photography, Robert Burks; edited by Rudi Fehr; music by Dimitri Tiomkin; produced by Sidney Bernstein and Hitchcock; released by Warner Bros.
Starring Montgomery Clift (Father Michael Logan), Anne Baxter (Ruth Grandfort), Karl Malden (Inspector Larrue), Brian Aherne (Willy Robertson), O.E. Hasse (Otto Keller), Roger Dann (Pierre Grandfort), Dolly Haas (Alma Keller) and Charles Andre (Father Millars).