Tom Mandrake is an odd choice for a superhero comic. He does an excellent job and all, but he’s so identified with horror, it’s strange to see him do capes and tights. Sure, there’s more to Sidekick than capes and tights but it’s not horror. It’s more “realistic” superhero stuff. J. Michael Straczynski mixes Batman, […]
MoreStraczynski turns Moloch into the martyr of Watchmen. And he gets away with it. Moloch’s such a broken soul, it’s feasible he’d bend to Adrian’s will. As for Adrian, who practically gets more page time here than Moloch, Straczynski seems to recognize what he and Moloch have in common… they’re both illusionists. Adrian’s convincing Moloch […]
MoreEven though Moloch appears in the original Watchmen, there’s a lot more talk about him than show. J. Michael Straczynski turns the character into a quintessential sympathetic villain. He was born with deformed ears, leading to teasing in childhood and other tragedies later in life. Straczynski uses first person narration, making the reader identify with […]
MoreMore 2001 visual references–heck, maybe even a 2010–and Hughes gets over his aversion to Jon’s big blue penis… but it’s a lackluster finale issue. Straczynski has to tie into the original series, which means bringing in Adrian, and the whole thing becomes a bore. He not only doesn’t do anything interesting with Jon–the monolith epilogue […]
MoreIn a lot of ways, Straczynski has turned Dr. Manhattan into a neatly disguised rumination from a fictional character questioning his relationship with his environment. Jon wants to change his personal narrative to make it a happy one, which turns out to end the world. One has to wonder why he didn’t just try to […]
MoreStraczynski and Hughes aren’t satisfied with just playing with Watchmen here–Hughes does a lovely montage featuring imagery from the prequels and the original–they also feel the need for a 2001 reference. Dr. Manhattan is interesting because of that ambitiousness. For example, Straczynski’s writing is concerned with being smart and thoughtful. The series is an informed […]
MoreThere’s something cool about Dr. Manhattan. Not just because Adam Hughes does the art–though the way he’s able to be stylized and still fluid is impressive; I wasn’t expecting him to do sequential so well. And it’s not cool because J. Michael Straczynski tries so hard to ape Alan Moore’s “voice” for Jon. It’s cool […]
MoreOnce again, I’m left wondering if there’s some intentional misogyny in these Before Watchmen series just because it would horrify Alan Moore. This issue we learn Nite Owl has this costumed madam–something Straczynski never makes feasible–in love with him and he’s in love with her but he later mocks her in Watchmen to Laurie. I’d […]
MoreWell, Straczynski doesn’t spend too much time with Rorschach this issue, just enough to remind everyone he’s around. He also doesn’t continue the narration from Dan. Why? Because Straczynski doesn’t go for any kind of narrative continuity; Nite Owl’s an editorial disaster. I guess no one told Straczynski to at least be consistent in his […]
MoreWhy didn’t they just combine this series with the Rorschach one? Straczynski probably gives Rorschach a third of the issue anyway. He’s juxtaposing Dan and Rorschach’s differing Mommy complexes, which would work for a combined book. But for one called Nite Owl? Doesn’t make any sense. There’s not a lot of callbacks to the original […]
MoreGiven the problems, Nite Owl is a lot better than it should be. Straczynski writes Rorschach and Nite Owl well together. The humor of a gentler Rorschach helps it. Now for the problems. It’s trite and obvious; no surprise from Straczynski. He’s got Dan blathering about his fate with Laurie. Then there’s a line to […]
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