Halloween: 30 Years of Terror (August 2008)

139789_20080827205958_large.jpg
Halloween: 30 Years of Terror–more specifically, writer Stefan Hutchinson–is going to make me make avery bad pun. It’s not 30 Years of Terror, it’s thirty pages of terrible.

I’ll get the art out of the way. Danijel Zezelj is excellent, Jim Daly’s medicare, Brett Weldele’s good, Jeffrey Zornow and Lee Ferguson are medicore, Tim Seeley’s mediocre. There, done.

Hutchinson’s idea of a Halloween special is to do a crappy sequel to the first two movies while setting up the second two Jamie Lee Curtis sequels. Occasionally, he’ll have a good idea and then his terrible writing will drag it into the dumps. The comic’s very gory and if he’s celebrating the anniversary of the original movie… well, it’s not gory at all. 30 Years is never intelligently scary. Hutchinson’s too cheap.

It reads fast, the art’s occasionally good, but Hutchinson’s writing is absolute crap. Halloween deserves more respect.

CREDITS

Trick or Treat; artist, Danijel Zezelj; colorist, Nick Bell. P.O.V.; artist, Jim Daly; colorist, Rob Ruffalo. Visiting Hours; artist and colorist, Brett Weldele. Tommy and the Boogeyman; artists, Lee Ferguson and Jeff Zornow; colorists, Zornow and Ruffalo. Repetition Compulsion; artist, Tim Seeley; colorist, Elizabeth John. Writer, Stefan Hutchinson; letterer, Ed Dukeshire; editors, Stephen Christy and Cody DeMatteis; publisher, Devil’s Due Publishing.

Scalped 35 (March 2010)

713297.jpg
I’m fairly sure Scalped has never made my eyes tear up before, but Aaron and guest artist Danijel Zezelj accomplish it this issue.

I have a lot of problems with Aaron’s writing of the comic but he still manages to be earnest and affecting. He splits the issue between a married couple who’ve never appeared in the series before. They both narrate through first person exposition, which is problematic. Aaron tries to be cute and have them directly–but unconsciously–answer the other’s thoughts. I get they’ve been married for fifty years or whatever, but it still doesn’t work.

And Aaron’s thoughts for the woman really don’t work.

Still, with his honest handling of the characters and their troubles, Aaron scores a major success. Having Zezelj on the art doesn’t hurt either.

Bad female narration aside, it’s one of the finest issues of Scalped and the most unlike the rest.

CREDITS

Listening to the Earth Turn; writer, Jason Aaron; artist, Danijel Zezelj; colorist, Giulia Brusco; letterer, Steve Wands; editors, Mark Doyle and Will Dennis; publisher, Vertigo.


Contemporaneously…