Marvel Team-Up (1972) #146

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Oh, those young toughs, how dare they break up a date between Peter Parker and… Jack Monroe (Nomad). Seriously, they’re on a date. They meet in an alley, beat up some threatening toughs, then head to see Rio Bravo together. All while Nomad is supposed to be delivering art to Steve Rogers.

Unfortunately, it’s a star crossed romance, with Taskmasker showing up to train a bunch of gangs to fight superheroes. So Spidey and Nomad have to break it up.

The writing is occasionally weak, but it’s some of the better stuff I’ve read from Burkett. While it’s a complete waste of time, it’s not terrible. Even LaRocque is stronger than usual–it’s mostly action this issue, so no heavy lifting.

There’s some funny forced continuity to the other Spider-Man books here. Peter’s taking a break from the alien costume trying to kill him for his date with Nomad.

Marvel Team-Up 146 (October 1984)

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Oh, those young toughs, how dare they break up a date between Peter Parker and… Jack Monroe (Nomad). Seriously, they’re on a date. They meet in an alley, beat up some threatening toughs, then head to see Rio Bravo together. All while Nomad is supposed to be delivering art to Steve Rogers.

Unfortunately, it’s a star crossed romance, with Taskmasker showing up to train a bunch of gangs to fight superheroes. So Spidey and Nomad have to break it up.

The writing is occasionally weak, but it’s some of the better stuff I’ve read from Burkett. While it’s a complete waste of time, it’s not terrible. Even LaRocque is stronger than usual–it’s mostly action this issue, so no heavy lifting.

There’s some funny forced continuity to the other Spider-Man books here. Peter’s taking a break from the alien costume trying to kill him for his date with Nomad.

CREDITS

Hero Worship!; writer, Cary Burkett; penciller, Greg LaRocque; inker, Mike Esposito; colorist, George Roussos; letterer, Diana Albers; editors, Bob DeNataleh and Danny Fingeroth; publisher, Marvel Comics.

Marvel Team-Up (1972) #144

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What a lame issue. I mean, I wasn’t expecting much when I saw Cary Burkett’s name on it, but it’s a lot worse than I thought. Pretty sure Peter gives away his identity–or at least risks giving it away–at the end of the issue too.

There’s a lot bad about it–Burkett’s expository dialogue is terrible, his constant narration is tedious. It takes forever to get through a page because he’s got so many narration boxes. Or are they narration squares? Did John Byrne ever weigh in on that one?

Maybe if LaRocque were a better artist it might be more tolerable.

Wait, I forgot a couple things. The white guys saving Chinatown from itself–the Chinese are way too corrupt to not need Spidey and Moon Knight to save them.

And Moon Knight–who likes Moon Knight? He’s lamer than Jeph Loeb Batman.

Just a dreadful read.

Marvel Team-Up 144 (August 1984)

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What a lame issue. I mean, I wasn’t expecting much when I saw Cary Burkett’s name on it, but it’s a lot worse than I thought. Pretty sure Peter gives away his identity–or at least risks giving it away–at the end of the issue too.

There’s a lot bad about it–Burkett’s expository dialogue is terrible, his constant narration is tedious. It takes forever to get through a page because he’s got so many narration boxes. Or are they narration squares? Did John Byrne ever weigh in on that one?

Maybe if LaRocque were a better artist it might be more tolerable.

Wait, I forgot a couple things. The white guys saving Chinatown from itself–the Chinese are way too corrupt to not need Spidey and Moon Knight to save them.

And Moon Knight–who likes Moon Knight? He’s lamer than Jeph Loeb Batman.

Just a dreadful read.

CREDITS

My Sword I Lay Down!; writer, Cary Burkett; penciller, Greg LaRocque; inker, Mike Esposito; colorist, Glynis Wein; letterer, Joe Rosen; editors, Bob DeNatale and Danny Fingeroth; publisher, Marvel Comics.

Detective Comics (1937) #517

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They’re really dragging out the Batman turns into a vampire thing. I think this issue is the fourth or fifth of the story. I guess it’s fine, since it’s Colan and DeZuniga again and I am curious how everything is going to tie together.

Conway and Levitz are finally bringing Vicki Vale into Batman’s story, with Dick Grayson (as an evil, mind controlled vampire) kidnapping her.

The approach to vampires is particular. There apparently aren’t–according to this issue–vampires in the DC universe, at least not enough the bad vampires here could be related to them. The vampires here have their own origin and their own vampire hunter. It’s a lot of backstory, but I guess Conway and Levitz wanted to give Colan something to draw to resemble his Tomb of Dracula content.

The Batgirl as snake lady backup mercifully ends. It’s supposed to be tragic, but it’s just silly instead.

Detective Comics 517 (August 1982)

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They’re really dragging out the Batman turns into a vampire thing. I think this issue is the fourth or fifth of the story. I guess it’s fine, since it’s Colan and DeZuniga again and I am curious how everything is going to tie together.

Conway and Levitz are finally bringing Vicki Vale into Batman’s story, with Dick Grayson (as an evil, mind controlled vampire) kidnapping her.

The approach to vampires is particular. There apparently aren’t–according to this issue–vampires in the DC universe, at least not enough the bad vampires here could be related to them. The vampires here have their own origin and their own vampire hunter. It’s a lot of backstory, but I guess Conway and Levitz wanted to give Colan something to draw to resemble his Tomb of Dracula content.

The Batgirl as snake lady backup mercifully ends. It’s supposed to be tragic, but it’s just silly instead.

CREDITS

The Monster in the Mirror; writers, Gerry Conway and Paul Levitz; penciller, Gene Colan; inker, Tony DeZuniga; colorist, Adrienne Roy; letterer, Annette Kawecki. A Tale of Two Serpents!; writer, Cary Burkett; penciller, Jose Delbo; inker, Joe Giella; colorist, Tom Ziuko; letterer, Janice Chiang. Editor, Dick Giordano; publisher, DC Comics.

Detective Comics (1937) #516

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The Batman feature is problematic to say the least. Batman infiltrates a school for criminals as “Matches” Malone (gag) and is quickly found out. He then has to dispatch of the criminals as Batman. Conway and Kupperberg–not sure why Conway needed an assist here, there’s no heavy lifting in this issue–never explain how the criminals figured out it was Batman.

An additional problem is with the ruse itself. Why didn’t Batman just shut the school down himself? Why bother auditing the classes?

It’s silly but not terrible. The Newton art is good and there’s enough going on with Alfred and Gordon to keep the issue moving. Oddly, all of Conway’s B plots seem to involve everyone but Batman.

The Batgirl backup is actually pretty neat. She’s unconscious for the majority of the story, which is lame, but the end is great–she’s turning into a giant serpent lady.

Detective Comics (1937) #515

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Ugh. “Matches” Malone is so goofy. Why hasn’t anyone modernized him….

Otherwise, it’s a decent issue. The Chiaramonte inks are the best so far. It’s not the best Newton, but it’s good.

Conway gets a lot of story going–Bruce is in LA investigating a school for criminals, Dick is stalking his ex-girlfriend (who seems to be in a cult) and Alfred is trying to convince Vicki Vale Bruce isn’t Batman. Only Gordon is missing, which Bruce comments on at one point.

The exposition–the only place where Conway ever goes overboard–is in check; he’s able to bring enough humanity to the characters, it overpowers any plot silliness.

Too bad he’s got Bruce romancing Vicki though. It’d have been more interesting if it’d been Alfred, especially after this issue’s events.

The Batgirl backup is awful. Batgirl fights with Lady Viper for the entire story. Nicely, the lame writing distracts from the art.

Detective Comics 515 (June 1982)

5620.jpgUgh. “Matches” Malone is so goofy. Why hasn’t anyone modernized him….

Otherwise, it’s a decent issue. The Chiaramonte inks are the best so far. It’s not the best Newton, but it’s good.

Conway gets a lot of story going–Bruce is in LA investigating a school for criminals, Dick is stalking his ex-girlfriend (who seems to be in a cult) and Alfred is trying to convince Vicki Vale Bruce isn’t Batman. Only Gordon is missing, which Bruce comments on at one point.

The exposition–the only place where Conway ever goes overboard–is in check; he’s able to bring enough humanity to the characters, it overpowers any plot silliness.

Too bad he’s got Bruce romancing Vicki though. It’d have been more interesting if it’d been Alfred, especially after this issue’s events.

The Batgirl backup is awful. Batgirl fights with Lady Viper for the entire story. Nicely, the lame writing distracts from the art.

CREDITS

The Academy of Crime, Part One: College for Killers; writer, Gerry Conway; penciller, Don Newton; inker, Frank Chiaramonte; colorist, Adrienne Roy; letterer, Ben Oda. In the Coils of the Serpent!; writer, Cary Burkett; penciller, Jose Delbo; inker, Joe Giella; colorist, Tom Ziuko; letterer, Phil Felix. Editor, Dick Giordano; publisher, DC Comics.

Detective Comics (1937) #514

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What a weak issue. I mean… it’s really weak. It’s competent in a way someone spending sixty cents might not complain, but it’s not good at all.

The feature is a Maxie Zeus story. Batman’s hunting him through a snow storm. There’s a scene where Dick and Alfred talk about worrying about him. It’s like they’re his wives waiting at home–which may or may not be a good take on the relationships, but Wein doesn’t explore it.

Instead, he introduces this hippie mountain man who loves all life. Maxie Zeus eventually kills him (after the mountain man loses it because Zeus kills a bird).

The art’s decent–Chiaramonte continues to be a bad inker for Newton–but the story’s just lame.

The Batgirl backup is terrible too. It’s Batgirl versus “the Queen of Serpents,” a circus performer who magically changes into a snake.

The issue’s just a complete misfire.