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The Spirit (August 10, 1941) “The Element of Time”
Element of Time starts as a mad scientist strip and fairly quickly becomes a “thug of the week” strip. Just as Professor Corda completes his life’s work to condense time into a physical form–in this case, a liquid–Tommy Moran decides to plug Nick Ennis for snitching. Moran’s got a girlfriend who wants him to reconsider… 📖
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The Spirit (August 3, 1941) “Wanted Dead or Alive: The Spirit”
From the splash page, Wanted Dead or Alive promises a lot and delivers very little. Spirit is indeed wanted, and apparently dead or alive, but the police manhunts never give him the slightest trouble. Not even when he breaks into the police station and kidnaps Dolan and the Mayor. Spirit’s very cocky this strip, and… 📖
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The Spirit (July 27, 1941) “Pink Perkins”
Pink Perkins brings back the two kid characters—revealed here to be the Tidewater children–who previously appeared in the “Hitler Goes Good” strip. They don’t get first names here; the family name matters because their dad is initially in trouble. He runs the Tidewater grocery chain, and the mob is shaking him down for protection money.… 📖
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The Spirit (July 20, 1941) “The Jewel of Death”
The Spirit heads to Syria for a Middle Eastern-tinged adventure in Jewel. He’s there to find the only doctor who can cure a disease back in Central City, but the doctor has married a beautiful local woman and doesn’t want to return. Except this beautiful local woman seems to be a dark figure of legend—any… 📖
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The Spirit (July 13, 1941) “Stolen Squad Cars”
Like last week, Stolen Squad Cars brings back another recurring Spirit character to involve them in war-related intrigue. This strip it’s Squire Samson, a corrupt political operator who’s been a thorn in Commissioner Dolan’s side for ages. Last time the Squire appeared, Spirit outed him as a criminal. Unfortunately, the Women’s Civic Club—and its twenty… 📖
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The Spirit (July 6, 1941) “Agent 24”
Agent 24 is an espionage thriller; Spirit goes over to occupied France on an impromptu rescue mission—one with many surprises in store. The strip itself sets a few precedents, including the first direct use of Germans as Spirit fisticuffs villains. A couple strips ago, Eisner and studio did a fable about Hitler finding his humanity… 📖
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The Spirit (June 29, 1941) “The Balkan Ball”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Balkan Ball is an Ebony strip, which means there’s lots of racist caricature to negotiate, amplified by Ebony getting a sidekick, Pierpont, who is also visualized in racist caricature. Scarlett appears, too. So it’s three… well, it’s actually more, but only for what… 📖
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Superboy and the Legion of Super-Heroes (1977) #243
Paul Levitz (script) Joe Staton (pencils) Jack Abel (inks) Cory Adams (colors) Jean Simek (letters) Al Milgrom (editor) It’s one issue-long story this time, no backup, which is both good and bad. It’s bad because this issue’s a letdown from the previous two “Earthwar!” entries, but it’s good because after an issue of Joe Staton… 📖
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The Spirit (June 22, 1941) “The Tale of the Dictator’s Reform”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Tale of the Dictator’s Reform is not Spirit’s biggest creative swing to date, but the strip is definitely the wildest. Hitler coming to the United States on a fact-finding mission—only to have a change of heart thanks to Spirit’s intervention—will forever be… 📖
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The Spirit (June 15, 1941) “Dusk and Twilight”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Dusk and Twilight is, no pun, a dark strip. The splash page introduces us to Dusk, who may look like he’s in a carnival act, but he’s actually a murderer with hands of steel and a gentle disposition. We learn these two details… 📖
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Superboy and the Legion of Super-Heroes (1977) #242
Paul Levitz (script) James Sherman (pencils) Bob McLeod (inks) Cory Adams (colors) Ben Oda (letters) Al Milgrom (editor) Once again, the feature story opens with Wildfire being a jerk. Last issue, he was going to let a Science Police officer die because her spaceship wasn’t well-maintained, and this issue, he’s going off on a fascist… 📖
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The Spirit (June 8, 1941) “Five Passengers in Search of an Author”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Five Passengers opens on a moody airstrip with an unlikely cast. A local schoolteacher’s favorite assignment is to bring the youngsters to watch the flight to Washington D.C. Each student gets to pick one of the passengers they’re watching board and write a… 📖
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The Spirit (June 1, 1941) “Killer McNobby”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) And, now, Killer McNobby takes the crown for most formal flexing Spirit strip. They do the narration entirely in rhyme, with accompanying illustration. It’s almost like Eisner and studio realized if they didn’t do something different with it, Killer would be maybe the… 📖
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All-Star Comics (1976) #74
Paul Levitz (script) Joe Staton (pencils) Joe Giella (inks) Adrienne Roy (colors) Ben Oda (letters) For the last few issues, Dr. Fate, then Hawkman, have had C-plots involving shadow messengers who come to collect them for a higher purpose. On the splash page, we discover this higher purpose: to prepare Earth’s heroes to stop the… 📖
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The Spirit (May 25, 1941) “Thomas Hawkins”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Spirit’s been overdue for a nice, wholesome story, so when Thomas Hawkins starts the strip getting out of prison and the guard says, “Once a killer, always a killer,” it’s concerning. The strip turns around immediately, however, as Spirit drops in to see… 📖
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The Spirit (May 18, 1941) “Marta & the Renaissance Primitive”
After the strip’s big creative adventures last week, Marta is a seemingly more conventional Spirit versus criminal-of-the-week strip. The slight deviations from the norm, such as the Spirit doing Sherlock Holmes-style deduction, actually make the strip feel traditional in its self-contained scope. The action opens with Marta at the museum, leaving for the night. She’s… 📖
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Superboy and the Legion of Super-Heroes (1977) #241
The opening story, Prologue to Earthwar, is an all-time Legion banger, despite a bit of weaponized misogyny and classism. And Wildfire being okay with manslaughter on his conscience. Oh, and weird racism against the bad guys. They’re green and slimy, so the Legionnaires call them slime-related slurs. Is it speciesism? Finally, lots of it is… 📖
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The Spirit (May 11, 1941) “A Dull Week”
Dull Week is Spirit’s biggest formal swing to date. Ebony, Spirit, and Ellen are all (individually) on the prowl for adventure, and their stories all get tied together, plotting-wise, but also in rhyming, whimsical narration. It’s constantly delightful and Eisner and studio do well in how they dole out the narration (alongside the stylized rhymes,… 📖
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The Spirit (May 4, 1941) “King Kohl, Emperor of the World”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) In terms of narrative flexing, King Kohl doesn’t try much. Kohl’s big idea is to use his gang’s criminal might to rob the Central City arsenal and use those weapons to take over the underworld. Kohl’s just out of a year in stir,… 📖
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All-Star Comics (1978) #73
Paul Levitz (script) Joe Staton (pencils) Joe Giella (inks) Adrienne Roy (colors) Todd Klein (letters) Joe Orlando (editor) Fourteen issues into the book and–as nearly as they’ve ever come–writer Paul Levitz, penciller Joe Staton, and editor Joe Orlando have figured out All-Star. Some of it’s very intentional: Levitz keeps Wildcat unconscious for the entire issue,… 📖
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The Spirit (April 27, 1941) “Ellen Dolan Detective Agency”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) After her most recent experience in the workforce as a boxing manager, Ellen Dolan has moved on to running her own Detective Agency, presumably under the assumption if her father and the Spirit can do it, she’s got to be able to do… 📖
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The Spirit (April 20, 1941) “The S.S. Raven”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Spirit has had a wider narrative scope as of late, but never before have Eisner and studio attempted anything like S.S. Raven. It’s a phenomenally weird strip, all about a killer Navy boat, with an ornery, lovable sea captain narrating the tale… 📖
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All-Star Comics (1976) #72
Paul Levitz (script) Joe Staton (pencils) Bob Layton (inks) Adrienne Roy (colors) Ben Oda (letters) Joe Orlando (editor) This issue is another strong one for All-Star. Very strong. It gets there a tad cheaply—Golden Age Flash villain Thorn is now aggressively lethal, bumping off Keystone City randos for kicks. She’s also no dummy, knowing the… 📖
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The Spirit (April 13, 1941) “Croaky Andrews’ Perfect Crime”
Croaky‘s tale is Spirit at its most didactic: crime does not pay. It’s also the strip stretching to center other characters, in this case Croaky and his best gal, Poison Mag. The Perfect Crime title is a tad misleading; Croaky’s crime is robbing some guy of a hundred thousand dollars and killing the poor sap.… 📖
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The Spirit (April 6, 1941) “Introducing Scarlett Brown”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) If you want to explore the peculiarities of Spirit’s characterization and visualization of Ebony White, Introducing Scarlett Brown is probably the most fodder the strip’s seen to date. Ebony, of course, is the Spirit’s only confidant, best friend, assistant investigator, and occasional savior.… 📖
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The Spirit (March 30, 1941) “Captured by the Underworld”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The title gives everything away in this strip: the Central City underworld teams up (principally three gangsters) and successfully captures the Spirit. Not a particularly difficult feat, it turns out. They give Spirit some bad intel, and he walks right into a trap.… 📖
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All-Star Comics (1976) #71
Paul Levitz (script) Joe Staton (pencils) Bob Layton (inks) Adrienne Roy (colors) Ben Oda (letters) Joe Orlando (editor) Even leaving aside the delightful implication Green Lantern and the Flash are sharing a bedroom as part of GL’s rehabilitation (Joan does not appear, wink wink), this issue of All-Star once again succeeds thanks to the absence… 📖
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The Spirit (March 23, 1941) “Dipsy Dooble”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) The Dolans—both Commissioner and Ellen—are back this strip after a few weeks off. The Commissioner’s sick of Ellen just going to teas or dances; it’s high time she settles down with a husband or gets herself a job. Ellen’s already ahead of Dolan… 📖
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Superboy and the Legion of Super-Heroes (1978) #235
Paul Levitz (1), Gerry Conway (2) (script) Mike Grell (1), George Tuska (2) (pencils) Vince Colletta (inks) Jerry Serpe (colors) Milt Snapinn (1), Ben Oda (2) (letters) Al Milgrom (editor) Joe Orlando (managing editor) Hang on, it’s Vince Colletta inking both stories? I knew he was on the strange backup from Gerry Conway and George… 📖
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The Spirit (March 16, 1941) “Introducing Silk Satin”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Satin is an incredible strip. It’s a mostly action strip, with three master thieves planning a team-up heist in Central City. They’re all displaced from Europe: Cedric’s British, Anton’s French, and Satin’s… Satin. They’ve also got an American sidekick monikered “Asphalt,” who doesn’t… 📖
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The Spirit (March 9, 1941) “Toy Planes”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Spirit and Ebony are on the job for the G-men, trying to crack a spy ring planning on destroying munitions factories with “robot planes.” The robot planes, as the Spirit will later explain, are really aerial torpedoes. The villains launch them from Europe… 📖
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All-Star Comics (1976) #70
Paul Levitz (script) Joe Staton (pencils) Bob Layton (inks) Jerry Serpe (colors) Ben Oda (letters) Joe Orlando (editor) Last issue, writer Paul Levitz found a Hallmark moment amid the chaotic infighting of quinquagenarian white male superheroes and their surrogate daughter (Power Girl), whom they all berate or dismiss. Sole exception: Dr. Fate; respect. Though maybe… 📖
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The Spirit (March 2, 1941) “Dead Duck Dolan”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Argos is a singular Spirit strip. Not because of its formal artistic qualities, which are strong in places, particularly in the establishing shots, and altogether perfectly fine. Rather, its content and connotations. The strip’s about a regular Joe who encounters a space alien… 📖
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The Spirit (February 23, 1941) “Invasion from Argos”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Argos is a singular Spirit strip. Not because of its formal artistic qualities, which are strong in places, particularly in the establishing shots, and altogether perfectly fine. Rather, its content and connotations. The strip’s about a regular Joe who encounters a space alien… 📖
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All-Star Comics (1976) #69
Paul Levitz (script) Joe Staton (pencils) Bob Layton (inks) Elizabeth Safian (colors) Ben Oda (letters) Joe Orlando (editor) This issue’s writer Paul Levitz’s magnum opus on the book so far. It’s an action-packed issue—most of the pages are just Justice Society members fighting, whether amongst themselves in the Batcave (holy set-piece, Batman!) or against the… 📖
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The Spirit (February 16, 1941) “Radio Station WLXK”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) WLXK is a beautifully plotted strip, with lots happening in a very short amount of time. A rather unlikely amount of time, actually, but considering part of the plot has kids listening to the Spirit kick ass on the radio and cheering along…… 📖
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Teen Titans (1966) #50
Bob Rozakis (script) Don Heck (pencils) Joe Giella (inks) Jerry Serpe (colors) Milt Snapinn (letters) E. Nelson Bridwell (associate editor) Julius Schwartz (editor) Writer Bob Rozakis—and I mean this statement as a compliment—has a wonderfully juvenile vibe for Teen Titans. Their dialogue is very groovy, maybe a little too groovy for 1977 (though they are… 📖
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The Spirit (February 9, 1941) “The Substitute Spirits”
A week has passed since last strip, and the Spirit still hasn’t let Commissioner Dolan know he’s alive. Ebony points out he’s being unkind to a friend, and Spirit’s surprised to realize he’s got affection for Dolan. Now, despite Dolan constantly trying to pull one over on Spirit, Dolan’s always concerned for him. They’ve been… 📖
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Superboy and the Legion of Super-Heroes (1977) #231
Paul Levitz (script) James Sherman (1), Michael Netzer (2) (pencils) Jack Abel (inks) Elizabeth Safian (colors) Ben Oda (letters) Joe Orlando (editor) The Legion of Super-Heroes had cover title billing with Superboy for over thirty issues before this issue. It’s one officially titled Superboy and the Legion of Super-Heroes in the indicia. Even more—literally—they’re going… 📖
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The Spirit (February 2, 1941) “Davy Jones’ Locker”
Will Eisner (editor, script, pencils, inks) Joe Kubert (colors) Sam Rosen (letters) Davy Jones’ Locker is a straightforward strip, but only because Eisner doesn’t allow it to get bogged down. There’s plenty of potential for it to drift, and Eisner doesn’t want any of it; any tangents would affect the verisimilitude. The strip opens with… 📖
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DC Special (1968) #29
This special is the result of a letter to All-Star Comics about the origin of the Justice Society. Someone wrote in wondering about the canon, and, after diligently doing some research, DC staffers discovered the 1940 comics didn’t come with an origin issue for the Justice Society. The team was already together in their first… 📖
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The Spirit (January 26, 1941) “The Conquistadores”
The strip takes place in Mexico, where the Spirit foils an attempt by some treasonous Mexican army folks to side with foreign powers to overthrow the government. The foreign powers are presumably German, but Eisner’s still not being specific. But Spirit doesn’t show up until page three, with the strip opening instead on a young… 📖