This issue of Red One is far superior to the first one, just because Dorison’s made most of his sexist jokes. This time he tries to go the other way and mock the fascist fundamentalist Christians out to attack gays and fails miserably. For what’s supposed to be a period piece–think Boogie Nights with less…

What’s Red One all about? Being sensational. It opens with a Christian fundamentalist psychopath killing a porn star–oh, Red One is set in the seventies so pornos are still being shown in the theater (in this case, a theater resembling the White House). Then the action jumps to the Soviet Union and the top Russian…