Ghosted 10 (May 2014)

Ghosted #10Busy, busy issue. Very busy. So busy Williamson can kill people off without it resonating just because there’s so much other stuff going on. And a lot of it goes on at the end; this issue has two cliffhangers, one hard, one soft. Very busy.

But the rest of the issue is awesome as usual. And the busyness is just overkill, it’s not bad. Williamson does a whole lot of callbacks in the last few pages, even for the resolution to the story arc.

What remains to be seen–since Williamson hasn’t exactly established a cast outside Jackson and his ghost–is where Ghosted will go next. This arc certainly shows it can go unexpected places, but with the flashbacks shining light into Jackson’s unrevealed backstory, I hope Williamson doesn’t choose to dwell too much. Constantly looking backward is boring.

The series continues to be a lot of harsh fun.

CREDITS

Writer, Joshua Williamson; artist, Davide Gianfelice; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 9 (April 2014)

Ghosted #9Williamson gets away with a lot of exposition. Jackson and the kidnapped, possessed girl are on the run through the jungle of ghost animals–which turns out to be somewhat cute, in an amusing turn–and the girl just talks and talks. But the way Williamson paces out the conversation, it works great. There’s danger and tension and the dialogue fits between. Very nicely done.

Also cool is the finish, when things are looking bad for the heroes. The first person narration is sparing and Williamson usually uses it for humor. Why overuse the acerbic wit, especially when the characters are in great danger. It’d be too jokey. There’s a lot of control with the script.

The ending–and the jungle–wouldn’t work without Gianfelice’s art. He’s got the expressions down, which is important, because so much of the characters’ motivations are unsaid.

The comic’s sturdy, reliably and very entertaining.

CREDITS

Writer, Joshua Williamson; artist, Davide Gianfelice; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 8 (March 2014)

Ghosted #8Gianfelice’s art stands out this issue. Maybe it’s because everything Williamson does–Jackson is being held hostage–needs to be a surprise. There’s the villains taunting him so their taunts need to be visually rendered, there’s the allies doing a surprise attack, the surprise needs to be rendered. Even though there aren’t any huge set piece fights (I think they average three or four panels), the art’s essential.

Also essential is giving Jackson someone to talk with. Williamson can run him through the Bond henchmen and Bond villain–a comparison the comic itself raises–but giving him a chance to connect with a “regular” character is necessary to jump start the arc. Ghosted has been doing fine, but once Williamson unveils the damsel in distress’s secret, it improves.

While the flashback stuff is calculatedly compelling, Williamson hasn’t introduced complicated intrigue in the arc until now. It seems worth the wait.

CREDITS

Writer, Joshua Williamson; artist, Davide Gianfelice; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 7 (February 2014)

Ghosted #7Trick is okay. I’m a little surprised, since he sort of ominously disappeared for a bit last issue. He’s in sidekick role, self-proclaimed dirty old man to Jackson’s more sympathetic narrator.

Williamson gives the issue a speedy pace. It’s maybe three or four different sequences set in the same night. But there’s something too speedy about it. Williamson forecasts the cliffhanger too early. Not the exact details of it, but how he’s going to use it. Hard cliffhanger, just after Jackson has discovered a big detail in the story arc.

It’s too bad the comic gets predictable for the last few pages, because, otherwise, Williamson’s pacing is good–pulp, ghosts and action all play a part. There’s even a flashback to some mystery woman. I’d forgotten Williamson might want to develop Jackson a bit more; even though the character narrates, he’s distant.

The issue meanders, which is a shame.

CREDITS

Writer, Joshua Williamson; artist, Davide Gianfelice; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 6 (January 2014)

293780 20140205005126 largeOh, good, Davide Gianfelice is a new artist on Ghosted. I was a little confused as the style is so different from the first arc. I thought it could be the same guy, just because Williamson’s doing such different things right off with this issue.

He’s not trying to device the reader in the same way. The unanswered questions are for the protagonist too this time. Presumably there will be some kind of subterfuge; the series is going to need surprises again at some point. And there are a couple little ones. Returning cast members, the way the lead, Jackson, travels from the tropics to Las Vegas. But Williamson is clearly trying a different approach.

Jackson has a case, adventure, undertaking, whatever. Even with his baggage, he’s in control differently. It’s like a soft reboot–Williamson has the pilot arc out of the way.

It’s not earth shattering, but good.

CREDITS

Writer, Joshua Williamson; artist, Davide Gianfelice; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 5 (November 2013)

Ghosted 005Williamson does the heist movie thing where he reveals all the double crosses and hidden machinations to allow the good guys to beat the mark. Because he’s doing it in a comic, it doesn’t work. There’s no way for him to do a smooth montage. Instead he’s got a lot of forced, awkward exposition.

Other than the big reveal, he paces the issue rather well. He gets through the cliffhanger resolution, gets through some plans of attack, makes one minor reveal, makes the major one, deals with fallout on scene, moves on to the next location–he really does get a lot done here. He never lets the issue slow down until the last scene,

Sadly, Sudzuka has some really weak panels in this issue. Something about the expressions escaped him. They’re so bad they can slow the reading.

Ghosted has its share of problems, but it’s a decent comic.

CREDITS

Writer, Joshua Williamson; artist, Goran Sudžuka; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 4 (October 2013)

285878 20131009111559 largeAnd now we get to the double-crosses; sort of. Williamson tries to make a big deal out of one character’s “out of character” actions, but she then proceeds to explain to the stunned cast why her actions make total sense.

So not much of a double-cross.

There are some surprises, however, and a handful of interesting implications about characters’ motives. All while there are finally ghosts in Ghosted, lots of them. While Williamson isn’t treading water as far as the story goes, he’s definitely dragging scenes out. He uses the ghosts as candy at the end of one long scene or another. It’s all buildup for the big reveals next issue; Williamson really could have done this story in three issues….

Especially since he reduces his characters to caricatures this issue.

Still, the series still has some leftover good will going.

And very nice art from Sudzžuka too.

CREDITS

Writer, Joshua Williamson; artist, Goran Sudžuka; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 3 (September 2013)

283152 20130911114150 largeGhosted is back, which is nice, they only had a bad second issue. This one is a lot better.

There’s a great back and forth between the George Clooney guy (I’m not going to remember names, so I’ll just call him the George Clooney guy because he’s the lead–or should I call him Danny Ocean?) and the guy who sets up the project. There’s some very nice hints at the back story while the rest of the team steals some magical totem.

Then the issue moves to the haunted house and there are actual ghosts. Williamson figures out a very good reveal or two for introducing the ghosts. He and Sudžuka handle it very well.

Not to mention there’s actually a great cliffhanger. Very good issue, very good–even though Williamson has some problems keeping track of all the characters at the end.

Very glad the series’s working again.

CREDITS

Writer, Joshua Williamson; artist, Goran Sudžuka; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 2 (August 2013)

Ghosted02 coverWhat the heck is this thing? I suppose the original material is good, but there’s not very much of it. Most of the issue reads like a recap of the last one. Williamson goes over all his characters and their particular skills, which is beyond redundant.

He’s got a great built in structure for the issue–the ghost hunters have to be out of the haunted house by sundown–and he doesn’t use it. He only has one scene with any character development. Then he throws little road blocks in the protagonist’s way and deals with them immediately afterwards. Little might not even be the right description. Minute.

The Sudzuka art keeps Ghosted worth a look, but Williamson doesn’t give him much to do. The haunted house stuff, the flashbacks, it’s all implied. Sudzuka can clearly draw people walking around. Don’t need to see it over and over.

It’s middling.

CREDITS

Writer, Joshua Williamson; artist, Goran Sudžuka; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.

Ghosted 1 (July 2013)

277519 20130712154425 largeJoshua Williamson is one of those odd writers who are better with summary than are with actual scenes. It really shows when he’s doing a montage of his protagonist getting together a team of ghost hunters and thieves. They’re these little scenes, with just the right amount of information and personality.

He also does well with the protagonist narrating. The lead is a master thief. A rich guy breaks the lead out of prison to capture a ghost. The scenes where the rich guy lays out this scheme is painful. Williamson opens making Ghosted as real as possible–the unpleasantness of prison life–then brings in some supernatural ludicrousness.

The dialogue’s weak too, which doesn’t help the scenes.

Luckily, Goran Sudzuka’s strong art makes the whole thing pass. Even during the worst dialogue, Sudzuka’s doing something cool with the conversation.

Hopefully the writing gets better, but Sudzuka’s the essential here.

CREDITS

Writer, Joshua Williamson; artist, Goran Sudžuka; colorist, Miroslav Mrva; letterer, Rus Wooton; editor, Sean Mackiewicz; publisher, Image Comics.