Doomsday + 1 3 (November 1975)

34343Joe Gill sure doesn’t have many ideas. Worse, the lack of them cuts into what Byrne gets to draw. For example, this issue has visuals out of the first issue–the space stuff–and the second issue–the robots. Gill gives it a different context (these robots are intergalactic peacekeepers investigating the destruction of Earth) but Byrne doesn’t really do anything new.

He still has some great panel compositions and has some wonderful layouts. Thanks to Gill’s writing inadequacies, Doomsday doesn’t have enough to offer without engaging artwork. There are maybe three character moments in the whole issue and all of them are dumb. Intentionally or not, Ken is completely unlikable–he nukes the aliens as a first resort–and Gill basically just has the women around for a love triangle (or quartet).

Doomsday should be a no-brainer to pull off, especially with Byrne, but Gill totally fumbles it.

CREDITS

The Peace Keepers; writers, John Byrne and Joe Gill; artist and letterer, Byrne; editor, George Wildman; publisher, Charlton Comics.

Doomsday + 1 2 (September 1975)

34342So Barbie is falling in love with the thawed cave man. I doubt Gill will be able to sell it, though it does give his characters something interesting. There’s nothing otherwise. The Ken guy gets kidnapped by an evil Soviet cyborg and it’s all painfully boring.

Gill only continues the ravaged world exploration thing for a couple pages. Mostly he’s just got armies of robots attacking the survivors and then they hop a fighter jet to Mother Russia. There, they have another lengthy fight scene. There’s some talking, but it’s Ken and the cyborg. Very boring.

Byrne does have some wonderful composition this issue, however. Even though his details on people aren’t particularly special–he rushes on the people–the rest of his art makes up for it. Doomsday + 1 almost has a good setting; instead of developing it, Gill fills it with action.

Byrne’s art deserves much better storytelling.

CREDITS

A Faceless Foe; writer, Joe Gill; artist and letterer, John Byrne; editor, George Wildman; publisher, Charlton Comics.

Doomsday + 1 1 (July 1975)

34341It’s the end of the world as we know it… and John Byrne’s drawing it. I’m not sure what the series’s title, Doomsday + 1, has to do with the content. The premise is simple–three astronauts return to Earth after a nuclear war. Writer Joe Gill doesn’t know much about nuclear warheads, because the radiation’s dissipating real fast. Not so fast the astronauts just get to come back, but fast enough Gill can move the story along.

There are two Ken and Barbie astronauts and then the Japanese woman. She’s in love with Ken; she doesn’t know why, probably because of his Aryan superiority. It doesn’t matter much–Gill abandons all the subplots pretty quick to get into the action. The ice cap got hit and prehistoric beasts are thawing out.

It’s a nice enough mix of apocalyptic and lost world stuff. Byrne’s got some beautifully composed panels in here.

CREDITS

They Live Again; writer, Joe Gill; artist and letterer, John Byrne; editor, George Wildman; publisher, Charlton Comics.