Category: Superman movies
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Secret Agent opens with this really exciting car chase. Clark (Bud Collyer) has just called in and been told to get to work on the right story, only then a car crashes through the drug store he’s in and so he hops on the back of it as it chases another car. Then the cops…
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Sitting through the first third of Jungle Drums, I kept hoping the cartoon would keep the African natives in silhouette. I had zero confidence they wouldn’t do some racist caricature and, at least in silhouette, there would be specifics. The natives do get out of silhouette and they are racist caricatures, but… at least there’s…
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If it weren’t for the needlessly racist finish from Lois (Joan Alexander), The Mummy Strikes would probably get a pass. Maybe. The action isn’t particularly impressive, but the Egyptian history lesson is pretty cool. Even if it’s all about young King Tush. Jay Morton’s script is (mostly) strong–it, Sparber’s direction, and animator Graham Place and…
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Destruction Inc. is nearly a success. It’s frustratingly not, particularly because the only thing holding it back is the animation itself. Thomas Moore and Dave Tendlar lack detail on the action, lack detail on the background, and don’t composite the two well. But Sparber’s direction is fantastic. There are some great action sequences in Destruction,…
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While Eleventh Hour posits Superman as some kind of American war hero–he’s in Yokohama doing all sorts of damage, usually to ships–the cartoon actually portrays him as a big doofus who’s more lucky than anything else. Clark (Bud Collyer) and Lois (Joan Alexander) are under house arrest. In a hotel. In Yokohama. Almost a year…
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SUPERMAN cartoon about a burglar dressing up as Superman when he robs places. Pretty soon he runs into the real Superman, who viciously scares him off a roof for fun. Boring action, holey plot; it’s pretty tepid stuff. Followed by ELEVENTH HOUR. DVD, Blu-ray, Streaming.Continue reading →
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Outside the racism, there’s not much to distinguish Japoteurs. There’s a lot of potential for the finale, when Superman (Bud Collyer) has to stop a crashing airplane–the world’s biggest bomber, which Japanese saboteurs have stolen and intend to take to Tokyo–but it’s not an impressive sequence. It’s somewhat thorough, but not impressive. The plane itself…
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Terror on the Midway has some mediocre animation, some bad animation, and some excellent design and direction. It’s also got a gratuitous Superman butt shot, which angles to show his curves in the red tights. It’s a weird shot. Especially since it keeps angling. The cartoon starts with Clark (Bud Collyer) mocking Lois (Joan Alexander)…
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Outside the racist–though not exceptionally racist all things considered–characterization of the villain, a Native American engineer who’s going to level Manhattan because it was stolen from his people, Electric Earthquake is pretty much great. Well, it’s outstanding. For what it does, it’s outstanding. So there’s the opening, where only Clark Kent (Bud Collyer) thinks the…
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The Magnetic Telescope is about a power-mad astronomer who builds an observatory with a giant magnet on top so he can attract meteors and comets to the Earth for further study. The device, in attracting meteors, is an obvious public safety issue but the astronomer doesn’t care. He’s willing to let thousands die so he…
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Three genius mechanical engineers come up with a flying, rocket-powered bullet car, with a penetrating nose, and try to extort millions from Metropolis. When their extortion fails, they attack. After some trouble, Superman stops them. The Bulleteers is nothing if not concise. The cartoon starts introducing the bullet car, then its owners. They’re in a…
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The Mechanical Monsters has a lot of promise. Or at least it seems like it’s going to have a lot of promise. A mad scientist has built around thirty giant flying robots he sends out to rob Metropolis. The cartoon opens with one of them returning with its loot. No one can stop him. Back…
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Superman (or The Mad Scientist) opens with Jackson Beck narrating the origin of Superman. It’s a couple minutes, sets up Krypton going boom and mild mannered reporter Clark Kent. Then it’s on to the action, which starts with a mad scientist sending a threatening letter to the Daily Planet. Perry White (Julian Noa) tries to…
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Lyle Talbot is the best thing about Atom Man vs. Superman. Overall, he might even give the best performance–he flubs some material, but it’s better material than his only serious competitor, Noel Neill, ever gets. There aren’t great performances in Atom Man vs. Superman. The serial wouldn’t know what to do with them. Talbot is…
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The extended version of Superman runs three hours and eight minutes, approximately forty-five minutes longer than the theatrical version (Richard Donner’s director’s cut only runs eight minutes longer than the theatrical). The extended version opens with a disclaimer: the producers prepared this version of the film for television broadcasts (three hours plus means two nights).…
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The extended version of Batman v Superman: Dawn of Justice isn’t just the extended version of Batman/Superman, it’s Batman v Superman: Dawn of Justice: The Ultimate Edition. There’s a second subtitle on the thing. It’s doubling down on the idea the extended cut in the post-DVD era. It’d be desperate if anything added in the…
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The extended version of Batman v Superman: Dawn of Justice isn’t just the extended version of Batman/Superman, it’s Batman v Superman: Dawn of Justice: The Ultimate Edition. There’s a second subtitle on the thing. It’s doubling down on the idea the extended cut in the post-DVD era. It’d be desperate if anything added in the…
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Batman v Superman: Dawn of Justice is, as a film, just as unwieldy as that title. Director Snyder, through a strange, comforting overconfidence, gets the film through its two and a half hour run time. By the end, when Snyder teases a cliffhanger, teases various comic book references, it’s a deceleration process. The viewer has…
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The Underground World is absolutely gorgeous. The animation has its issues, but how the animators light their characters and how director Kneitel composes the frames… just breathtaking. The story concerns Lois and Clark on an expedition to an underground cavern. Once they arrive, there’s trouble for Lois and they discover the totally absurd secret of…
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Even if it weren’t for catching all the future films The Arctic Giant influenced, the cartoon would still be a lot of fun. It opens with the discovery of a frozen dinosaur in the the Arctic. Scientists bring it back to Metropolis–King Kong style, but in a freezer–where it goes on display. Lois does a…
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Now here’s an awesome outing for Clark and Lois. They’re on assignment to cover a volcano erupting (hence the title); the cartoon opens with a science report on said volcano. It’s a neat sequence, quickly done and well-animated. Fleischer gets a lot of information conveyed immediately, which is good since the second half is all…
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It’s Superman versus a train full of gold thieves. Only not so much. Lois Lane actually battles the thieves themselves in Billion Dollar Limited, while Superman deals with the runaway train. There’s a lot of impressive action in the cartoon, especially given how little dialogue–I think maybe four or five lines total, including one of…
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Man of Steel is good. It’s really good. Not only is it really good, I like it enough for a 500 word special. There’s always a moment in a good action movie when it eventually runs out of steam and one has to give it some thought. There’s a breather scene, in other words. For…
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Superman and the Mole Men is somewhat hard to watch–and not because of the goofy mole people costumes. The bad guys in the film aren’t the mole men, but the evil redneck townspeople who hunt them down. Mole Men runs less than an hour (a theatrical pilot for the “Adventures of Superman” TV series) but…
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While it only runs a minute (I think), Superman Classic–which director Pratt describes as a “super fan film”–is pretty, well, super. Only the final moment disappoints, mostly because it’s a promise Pratt’s not going to keep. Classic is mostly hand drawn animation, which gives the cartoon the “fan film” feel occasionally, but Pratt professionally packages…
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All-Star Superman, the comic book, is maybe the best Superman comic book. Based on empirical observation (i.e. the other animated DC Comics movies from Warner Premiere), I assumed All-Star Superman, the animated movie, would be awful. I was wrong. It’s wondrous. It’s not without its problems, of course. The movie is based on the comic,…
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Roughly a third of Superman IV is missing, so it’s a little difficult to really form an opinion of the filmmakers’ intentions. I mean, it was an anti-nuclear proliferation movie… which suggests they were well-intentioned, but it’s impossible to know what they were trying to do with it as a film. For instance, it doesn’t…
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Superman III–deservedly–gets a lot of flak, but it’s actually the most faithful to the comics in a lot of ways. It plays out like a late sixties, early seventies Superman comic–“The Man Who Killed Superman,” turning out to be a bumbling, generally well-meaning guy like Richard Pryor, or “Superman Versus the Ultimate Computer.” Superman III…
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First SUPERMAN sequel (much of it filmed back-to-back with the original) has Terence Stamp leading a trio of supervillains on a worldwide takeover (aided by Lex Luthor Gene Hackman) while Superman and Lois Lane are busy having an ill-advised and ill-plotted (if singular) romance. Great performances from Margot Kidder and Christopher Reeve. Sometimes excellent, sometimes…
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If watching Richard Donner’s director’s cuts have taught me one thing, it’s Donner probably shouldn’t have final cut. His director’s cut of Lethal Weapon, for example, is atrocious. He adds about nine minutes to Superman and, much like Coppola’s revision of Apocalypse Now, it’s a testament to the original film it can weather the additions.…
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