Destruction Inc. (1942, Izzy Sparber)

Destruction Inc. is nearly a success. It’s frustratingly not, particularly because the only thing holding it back is the animation itself. Thomas Moore and Dave Tendlar lack detail on the action, lack detail on the background, and don’t composite the two well. But Sparber’s direction is fantastic. There are some great action sequences in Destruction, they just don’t look good.

The cartoon has Lois (Joan Alexander) going undercover at the munitions plant and discovering a saboteur ring. Bad acting from Julian Noa on the villain doesn’t help things. All of the henchmen are poorly acted as well. And then there’s the pervy news boy, Louis (Jack Mercer), who gets a desperately unfunny bit after ogling Lois.

But still. The sequence where Lois is on the run from the goons, even if she doesn’t have a face in long shots, is great.

Superman shows up after the goons catch her and put her in a torpedo. Saboteurs in munitions plants have all the access.

And even though the Superman saving Lois and fighting goons sequence is, again, beautifully directed, the animation is just the pits. The cel and background compositing just gets worse during as the cartoon goes along, even if overall it’s far from bad… it’s just not good.

Jay Morton’s plotting and pacing are great. His attempts at humor are not. They drag. Sparber doesn’t direct them well either. So Sparber’s got the action down, he’s got some of the expository down, not the humor. And no one’s got the animation detail.

It’s too bad. Destruction Inc. should’ve worked. It nearly gives Alexander a good part too. The animation really sinks it.

1/3Not Recommended

CREDITS

Directed by Izzy Sparber; screenplay by Jay Morton, based on characters created by Jerry Siegel and Joe Shuster; animated by Thomas Moore and Dave Tendlar; music by Winston Sharples and Sammy Timberg; released by Paramount Pictures.

Starring Bud Collyer (Clark Kent/Superman), Joan Alexander (Lois Lane), Jack Mercer (Louis), and Julian Noa (Chief Thug); narrated by Jackson Beck.


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