blogging by Andrew Wickliffe

Electric Earthquake (1942, Dave Fleischer)

Outside the racist–though not exceptionally racist all things considered–characterization of the villain, a Native American engineer who’s going to level Manhattan because it was stolen from his people, Electric Earthquake is pretty much great. Well, it’s outstanding. For what it does, it’s outstanding.

So there’s the opening, where only Clark Kent (Bud Collyer) thinks the Native American guy has a point–while Julian Noa’s Perry White is a piece of crap, apparently–but neither think the guy is actually going to do anything. Only Lois (Joan Alexander) thinks to trail him back to the docks, where he catches her and takes her down to his undersea laboratory.

The cartoon has already introduced the laboratory, complete with the wires going to the various parts of the ocean floor so the engineer can shock an earthquake. And he does. Manhattan falls apart. Cracks in the streets, skyscrapers crumbling, the Daily Planet having a big chunk fall away. And no nonsense regarding Superman–he’s in action right away (well, after the disaster starts).

And he saves the day. With some complications and some troubles.

There are a couple things not animated well, but otherwise it’s all phenomenal work. Good direction from Fleischer. Some of the animation doesn’t quite match, but it’s still good. The rocky parts are in the explosions. They’re lacking in detail and size.

And, story-wise, it’s not like the engineer turns out to be some great villain or even an interesting one. He doesn’t beat up Lois, which is nice, though he does leave her to drown in his getaway. He’s almost sympathetic.

The Superman action, including his various troubles with electric wiring, collapsing buildings, and just having enough breath, is great. The ending is fun too.

The fun might be the best thing about Earthquake. Even though it’s obviously full of catastrophic danger, Fleischer and his animators enjoy the heck out of Superman’s response to it.

Though Lois gets a particularly bad part. She’s present for almost everything and gets no reaction other than silent fear.

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