There are, now, three versions of Superman II. The theatrical, an extended television version (not officially released) and original director Richard Donner’s take on it. Unfortunately, Superman II is–as a narrative and a sequel–rife with problems. Drawing attention to these problems is a bad idea. And the version with the least emphasis on them? Richard Lester’s original.
Whatever Lester’s problem with the Superman character, it’s not really apparent here. Superman II feels like a good Superman movie should feel–some of the campy humor works, some of it doesn’t. I’d say about fifty percent of Terence Stamp’s lines fail. The successful ones, however, are great. And Sarah Douglas is fantastic.
Most importantly, Lester gets some wonderful acting out of Margot Kidder and Christopher Reeve. The somewhat nonsensical romance doesn’t fit in the picture–and never will, no matter how many revisions people make–but it makes the film singular. Superman wasn’t a particularly long film series and the familiarity Lester gets out of Kidder and Reeve in this one, the first sequel, is something television shows usually have to go three or four seasons to achieve.
The special effects–particularly the flying sequences–are occasionally weak. There are a lot more complicated rear projection sequences than in the first film and they don’t work out very often.
Like I said before, Superman II‘s basically a bad idea for a movie. But it works out in the end, thanks to the actors and, yes, Lester.
That Paris opening’s great.