A couple things to get out of the way again for this episode. During Tatiana Maslany’s perfect beyond words Ferris Bueller “go home already” fourth wall breaking (she’d already inhabited the part, now it’s time for her to bend the devices to her will), she says next episode is the “finale.” They’re doing another scene to get them there. And the hook for next episode’s good. It’s not perfect, but it’s coming at the end of a transcendent accomplishment: “She-Hulk: Attorney-at-Law” just perfected the superhero show crossover episode.
Well. Sort of. I mean, I think they did it once before, and I think it involved the same other half of the crossover, “Daredevil” Charlie Cox, making his big return to the proverbial tights after showing up in the latest Spider-Man, answering the question of whether or not the Netflix Marvel shows “count.” They do for Cox, anyway.
And it’s no surprise why. It’s a magnificent return, starting with him and Maslany facing off in court. Her client (Brandon Stanley playing the perfect dipshit) is suing superhero fashion designer Griffin Matthews for faulty jet boots. Even though Maslany also frequents Matthews’s establishment (he’s designing her lawyers’ gala dress, in fact), she’s stuck trying to case. She wasn’t expecting a New York City lawyer who can tell when people lie just from their heartbeats.
It gets more complicated after Maslany and Cox have drinks—I’d forgotten how wonderfully slutty Cox plays the part, seducing Maslany with the potential of using her powers for good. Between that soulful moment and Cox saying “Sokovia Accords,” the MCU suddenly gets that “street level” thoughtfulness it’s been missing since… well, always, actually. At least outside Netflix.
Because it’s a crossover, they’ll have to costume up at some point, but because it’s a first-time crossover, they’ll have to be enemies at the start.
It’s glorious, even if director Kat Coiro should’ve done at least one bad-ass “Daredevil” long fight instead of just joking about them.
The next episode’s going to be a whopper based on the cliffhanger, but between this episode and the last, “She-Hulk”’s earned itself all the seasons. Though the four-minute setup should’ve been a mid-credits sequence; someone needs to rethink the MCU show’s lengthy end titles.
It had so better end with “She-Hulk Will Return in She-Hulk: Season Two.” It so better.
She could also move to New York and do a season with Cox. Whatever. But they’ve finally hit that sincere and unique sitcom level; they need to keep it going.