Irreversible is blissfully unaware of itself. It’s the story of dude-bro Timothy Paul Driscoll breaking up with girlfriend Alice Hunter, then the story of their relationship in reverse. Get it, irreversible? Reversible? Get it?
How writer and director Levinson lifts the title and narrative device from another movie and not give it a nod is beyond me. Again, blissfully unaware of itself.
The short skips through various important events in the relationship, like the time after they had a pregnancy scare so Driscoll yells at Hunter to bring him more beer. Driscoll’s bro, Ryan Lagod, goes to help her, which eventually turns into them texting each other because they’re, you know, friends, which leads to Driscoll apparently having a call girl over right before Hunter gets there. The narrative gimmick isn’t particularly clear right off so it probably makes more sense on a second viewing.
Though a second viewing, even of the eight minute short, sounds like an irreversibly bad decision. Driscoll’s performance is real bad. It’s unclear if it’s Driscoll, Levinson’s direction, or Levinson’s script. Hunter’s fine, though she stumbles through some of the pat dialogue, and Lagod’s likable. Driscoll’s affectless and apathetic to everyone around him. There’s a particularly rough scene where he tries to charm Hunter with his game and he comes off like a bad guy in an early 1990s sexual harassment video. Again, the short’s blissfully unaware of itself.
There’s also this confusing scene where Driscoll’s snooping Hunter’s smartphone and she doesn’t have a passcode? I mean, it’s from 2012, sure, but it’s not from 1996 or something.
So with Driscoll it’s hard to say if it’s his fault or Levinson’s. Because Levinson’s got no idea how to execute his ideas, good or bad. Based on all available information, Driscoll’s obviously a shit stain of a human being yet the short demonizes Hunter?
Decent photography from David J. Markus. Collin Pittier’s editing can’t make the narrative structure make sense but who cares. It’s eight minutes you’re not getting back, not Time’s Arrow.