Hadrian’s Wall opens with a paragraph explaining the setting–it’s set in an alternate future because it has an alternate past (the U.S. and U.S.S.R. nuked each other in 1985 so the future’s different)–but then it’s just a traditional future cop sci-fi thing. And it’s pretty good at it too. Writers Kyle Higgins and Alec Siegel just have one major mystery for the cop to solve–who killed his ex-wife’s new husband? Who she initially had an affair with, who got him fired, who shot him four times.
The protagonist is now a painkiller popping wreck of a man. Will he be able to unravel the mystery out in the stars–Hadrian’s Wall refers to the ship where there a limited number of suspects. And we already know someone isn’t what they seem.
Basically, it’s an excuse to look at some gorgeous artwork from Rod Reis. The dialogue is fine–it’s pulpy future cop stuff (and it’s hard to believe it didn’t start as a screenplay)–the characters are okay. The art on them is great. I mean, it’s not an ambitious book, it’s just a solid one.