blogging by Andrew Wickliffe

Cinema Purgatorio (2016) #1


I wonder what Cinema Purgatorio is going to be. The first issue has five stories, all by different creators. It’s Alan Moore’s idea, it’s an Avatar horror anthology. The writers are Moore, Garth Ennis, Max Brooks, Kieron Gillen, Christos Gage. Avatar guys. The artists are Kevin O’Neill, Raulo Caceres, Michael DiPascale, Ignacio Calero, Gabriel Andrade. In other words, Kevin O’Neill and some Avatar guys.

Moore and O’Neill contribute the opening frame. There’s a demented slapstick short, then some musings on film and pop entertainment. I can never tell if Moore knows how strange it is to have him talk about film–when his public comments on film are always about a negative interaction with film–or if he really does just like talking about it grandiosely. It’s a strange kind of grandiose though. Moore’s setting up the concept of the book–demented Saturday matinee.

The other writers approach the matinee differently. With the exception of Ennis and Caceres’s Code Pru, which is sort of sitcom gore, everything else is in some way zeitgeist pop. Gillen and Calero do something with fantasy beasts, cyberpunk and Fury Road villains called Modded (get it, gamer stuff). Brooks and DiPascale do A More Perfect Union, which is probably going to be Civil War vs. zombies because Max Brooks (only with historical “accuracy” for Civil War buffs). Gage and Andrade have The Vast, which is fighter jets versus kaiju and what not.

The Ennis story and the Brooks story are writer pieces. But Gillen and Gage are just setting up their artists for awesomeness. Both Calero and Andrade excel in the black and white sort of horror, sort of fantasy, sort of sci-fi realm. The black and white brings out all the little details, focusing the reader on the violence of the situation. Without color, the fantastic element is gone. The same thing happens with Caceres’s art, but that one is still all about Ennis’s dialogue and scene pacing.

The Brooks and DiPascale story is the least successful. I’m most excited for whatever Moore and O’Neill come up with, but also Code Pru and Vast. Modded will be a fine read with good art.

Cinema Purgatorio is, conceptually, a success. Now they just need to ship it on time.

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