A scene from TERROR OF MECHAGODZILLA, directed by Honda Ishirô for Toho Company Ltd.

Terror of Mechagodzilla (1975, Honda Ishirô)

Terror of Mechagodzilla is an uncomplimentary mix of a sixties Godzilla movie with the production values of a seventies Godzilla movie. It’s got a lame monster with cool powers and a cool monsters with lame powers. The Mechagodzilla fight scene is mind-numbing. He shoots rockets at Godzilla. Explosions incur. Director Honda has all these resources–an obviously ambitious pyrotechnic unit, huge sound stages–and nothing to do with them. Honda initially tries a more realistic approach with the film, but then just forgets about it.

Because even if it weren’t giant monsters, Terror is still silly–very silly for the mid-seventies with its small cast and brand characters. Hirata Akihiko (the good mad scientist from the original Godzilla) plays a bad mad scientist here. Under a lot of make-up. It’d be something if it were a good performance, but it’s not. Hirata is working for evil aliens–who have very dumb helmets and very silly costumes and the supreme commander whips misbehaving subordinates. Terror is what happens when you should be camp and you don’t. Honda wants to be taken seriously and refuses to understand it isn’t possible.

Anyway, Hirata has a cyborg daughter. One of the scientists working for Interpol–Terror’s Interpol is a multi-national giant monster hunting organization–loves her. But the aliens have installed Mechagodzilla’s controller chip inside her cybernetic circuitry. Ai Tomoko, as the cyborg girl, isn’t good but she does better than she should. As her beau, Sasaki Katsuhiko is lame. He’s simultaneously supposed to be a goof and a stud. He comes off as neither.

Ifukube Akira’s music is good. Even though there are some bad decisions with the music, it is good. It just doesn’t always fit the tone of what Honda’s actually got going on, versus what Honda wants to have going on. Terror fundamentally misunderstands how its genre now works.

There are some nice miniature cityscapes though. Honda’s fight scenes in them aren’t great, but Tomioka Sokei photographs them well. Terror’s got its pluses. They just don’t come close to overcoming its minuses.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Honda Ishirô; written by Takayama Yukiko; director of photography, Tomioka Sokei; edited by Kuroiwa Yoshitami; music by Ifukube Akira; production designer, Honda Yoshifumi; produced by Tanaka Tomoyuki; released by Toho Company Ltd.

Starring Sasaki Katsuhiko (Ichinose Akira), Ai Tomoko (Mafune Katsura), Hirata Akihiko (Dr. Mafune), Uchida Katsumasa (Interpol Agent Murakoshi), Nakamaru Tadao (Interpol Chief Tagawa), Roppongi Shin (Wakayama Yûichi), Agawa Yasuko (Yamamoto Yuri) and Mutsumi Gorô (Alien Leader Mugal).


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