Halloween: Resurrection is an exercise in desperation. The film throws reality TV in to ape the found footage zeitgeist without actually committing to the narrative conceit. It’s also chasing some kind of post-American Pie familiarity with the Internet and webcams, only without any actual understanding. It’s exceptionally incompetent.
The film opens with Jamie Lee Curtis, fulfilling a contractual obligation, crapping all over her work in the previous films (not just the last one she did as a grown woman). The entire thing looks rushed, even though the terribly written sequence is one of the more thoughtful ones. Larry Brand and Sean Hood’s writing is terrible, but that opening sequence is about the only time they try to be respectable.
The rest of Resurrection is idiotic not just in the execution, but in the intention. Until about seventy minutes into the film–I went into the film thinking it was over ninety minutes; it’s actually ten minutes under the advertised length. Then the film becomes this strange, nearly successful mix, in spite of everything.
After twenty or so minutes of cutting between the webcams and third person, David Geddes’s photography gets so bad–it’s bad at the opening, with Geddes and Rosenthal apparently thinking harsh, strong blue lighting is scary–Resurrection almost transcends. It’s almost becomes this commentary on the idea of “reality” in a slasher movie.
But somehow everyone misses it and Resurrection ends terribly, without even bothering to give its disposable characters any arc. It’s exceptionally lazy.
Most of the acting is atrocious. Rosenthal can’t direct actors, but the acting is still bad. Sean Patrick Thomas is probably the worst. Thomas Ian Nicholas isn’t much better. Tyra Banks is awful. But Rosenthal hurts all of them; well, except maybe Thomas.
In the lead, Bianca Kajlich is strangely terrible when trying to perform her role, but fine when just having to be terrified. Similarly, while Busta Rhymes is bad, he should be better. The direction is just wrong. It’s almost like Rosenthal’s intentionally trying to sabotage anything inoffensive in the film.
The only question Resurrection raises is how much Rosenthal hates Halloween?