I’m reading the only online review of Dead on the Money (well, only other once I post this one, I suppose)–it was a Turner Original Picture, airing on TNT and it’s not on DVD, so I suppose it’s somewhat rare–and the reviewer complains the “atmosphere of humor makes it difficult to take the film all that seriously.” Unfortunately, the reviewer seems to have missed the point of Dead on the Money. I’m sure there’s a word for it, but I don’t know it, but what Dead on the Money does is spoof the type of movie called Dead on the Money. The source novella (Rachel Ingalls’ The End of Tragedy) seems–from my Googling–to have a similar philosophy, but Dead on the Money has a better title and the all important cast.
Amanda Pays was, at the time, one of those actresses who popped up on lots of TV shows–she was on “The Flash” and she was on “Max Headroom.” I can’t remember how she was on “The Flash,” but in Dead on the Money, she’s more charming than good. It’s not a particular problem, because she’s in on the joke. The film probably got some publicity because it also stars–as her romantic interest–her real-life husband, Corbin Bernsen. Bernsen is in on the joke too, but he’s not Cary Grant and he sort of needed to be… However, John Glover is perfect in the film, playing a goofy, mama’s boy with a gambling addiction. But it’s not a serious gambling addiction of course (there’s nothing serious in the film)–Glover’s character just sort of assumes that role. Kevin McCarthy plays Glover’s father and it’s McCarthy in his second career prime. He’s only in the film for about five minutes but he’s hilarious in every second of them.
The reason I saw Dead on the Money in the first place is Eleanor Parker. In her last role to date, she plays Glover’s mother. It’s probably the least showy main role in the film and Parker does a great job with it. There are a couple scenes with she and McCarthy alone and, free of the plot constraints, she just opens up, appreciating the goofiness. Parker also gets to laugh at the film’s absurdity at the end, along with Pays, in a nice scene (though it’s not one of Pays’ better moments in the film).
Dead on the Money is an oddly rewarding experience. It’s a somewhat small reward–I’m not sure the romantic thriller genre really needed to be sardonically analyzed in a romantic thriller–but it’s still worth it. For the scenes with Parker and McCarthy alone… and Glover really is a lot of fun.
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