Ride the High Country is a fine attempt. It’s not a successful attempt, but it’s a fine one. Director Peckinpah seems to know what he wants to do, but he’s too trapped in Western genre tradition. Having icons Joel McCrea and Randolph Scott as his leads (they’re both great), George Bassman’s intrusive score and Lucien Ballard’s strangely flat photography might all be forgivable if N.B. Stone Jr.’s script were all right but it’s not.
The plotting is awkward. Retired lawman McCrea hires old partner Scott to help him transport gold, not knowing Scott is planning on taking said gold with the help of his new, youthful partner, played by Ron Starr. Along the way, they meet farm girl Mariette Hartley, who Starr gets involved with, much to the chagrin of the older men. Country runs just over ninety minutes and most of the important scenes involve Hartley and her poor choice to marry James Drury. McCrea and Scott spend their time talking about their glory days, which is cute the first couple times, but tiring when it’s clear Stone doesn’t have any other ideas for them and Peckinpah doesn’t seem to care.
Peckinpah doesn’t seem particularly interested in the film until the shootouts at the end; he does spend some time on the scenery, which should be prettier (that drab photography).
Both McCrea and Scott get pretty decent iconic moments at one point or another in the film, they just don’t get actual characters to play. It’s too bad.
Directed by Sam Peckinpah; written by N.B. Stone Jr.; director of photography, Lucien Ballard; edited by Frank Santillo; music by George Bassman; produced by Richard E. Lyons; released by Metro-Goldwyn-Mayer.
Starring Randolph Scott (Gil Westrum), Joel McCrea (Steve Judd), Mariette Hartley (Elsa Knudsen), Ron Starr (Heck Longtree), Edgar Buchanan (Judge Tolliver), R.G. Armstrong (Joshua Knudsen), Jenie Jackson (Kate), James Drury (Billy Hammond), L.Q. Jones (Sylvus Hammond), John Anderson (Elder Hammond), John Davis Chandler (Jimmy Hammond) and Warren Oates (Henry Hammond).