Even with some really bad narration from one of the characters, Rat God is off to a fantastic start thanks to Richard Corben. The book is that sturdy combination of great art and inventive, terrifying storytelling.
While there are apparently going to be some Lovecraft nods, Rat God starts out with a couple Native Americans on the run from some kind of danger. It’s Corben illustrating the American wilderness; the scenery is jaw-dropping, gorgeous. Great colors from Corben and daughter Beth Corben Reed.
The story’s fine. It’s creepy and looks amazing. But then Corben changes up the comic completely with the introduction of an obnoxious white guy and reveals the comic’s set in the 1930s and this guy knows the Native American girl from the opening, only as a “modern” woman.
It’s a lot of information for a first issue, but Corben handles the mood perfectly. Except that narration.
Writer and artist, Richard Corben; colorists, Corben and Beth Corben Reed; letterer, Nate Piekos; editors, Jemiah Jefferson, Shantel LaRoque and Scott Allie; publisher, Dark Horse Comics.