That is one ugly baby.
Sorry, getting ahead of myself.
This issue features Moore’s returns after a reprints issue and fresh artists. Rick Veitch pencils, Rick Bryant inks. It’s a major improvement over Austen–the panel compositions are once again ambitious–but it’s not particularly great art. Veitch and Bryant do a little Mick Anglo homage and things of that nature, but it’s too broad. Miracleman thrives on visual realism.
The story, which has Liz giving birth to her miracle baby, is pretty good. She goes into labor the first page, then Moore resolves the last of the story arc (more like clean-up) while getting the delivery done. It’s a cute narrative, with Miracleman thinking about the beautiful of life and his place in the universe. Moore manages to sell it too. He’s got an amazing amount of rope on Miracleman.
Oddly, the last panel is the best drawn.
Scenes from the Nativity; writer, Alan Moore; penciller, Rick Veitch; inker, Rick Bryant; colorist, Ron Courtney; letterer, Wayne Truman; editor, Cat Yronwode; publisher, Eclipse.