The issue opens with a full page spread–Indy looking at an artifact with a magnifying glass–but it’s the only uneconomical use of page space in the issue. Luke McDonnell has to pack panels on the page to get through all the action in Priest’s script.
David Michelinie gets a story credit, but it feels like a different comic without him. Even the art. McDonnell draws Marcus Brody younger than anyone else has before–and younger than Denholm Elliot; probably because Priest’s script implies Brody was once much like Indy in the adventuring department.
And Priest does have a lot of time for the romance between Indy and Marion. He dials it down quite a few notches but does at least acknowledge it.
In many ways, the issue doesn’t feel like a licensed property. But feeling more original doesn’t help–the creators are generally competent but the comic’s charmless.
The Cuban Connection; writers, David Michelinie and Christopher Priest; penciller, Luke McDonnell; inker, Danny Bulanadi; colorist, Rob Carosella; letterer, Rick Parker; editor, Eliot Brown; publisher, Marvel Comics.
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