Ennis tells Frenchie’s story, which he does mostly for laughs. Robertson gets the humor well–the setting, a tranquil French village, helps a lot.
There aren’t any surprises–Hughie even goes so far as to doubt its veracity–and only a couple real standouts. The first is short but awesome. As Frenchie recounts a touching summer love affair, Robertson’s art shows its baser reality. Might also be funnier because Frenchie’s mom and dad are in the room.
The second bit comes at the end, a little in-joke for Ennis readers. He repeats a moment from “Preacher,” only this time the Frenchman is the good guy and the American is the bad.
It’s a cute little done-in-one but there’s really nothing to it. Frenchie’s comic relief and Ennis doesn’t try to stretch him into something else. Ennis doesn’t even take the time to properly wrap up the flashback.
La Plume De Ma Tante Est Sue La Table; writer, Garth Ennis; artist, Darick Robertson; colorist, Tony Aviña; letterer, Simon Bowland; editor, Joseph Rybandt; publisher, Dynamite Entertainment.