I wonder how Something’s Got to Give plays if you haven’t seen My Favorite Wife (Give was a remake). This thirty-seven minute edit of footage of Marilyn Monroe’s last–unfinished–film is a disjointed suggestion of what might have been.
Monroe’s good in her part, though she doesn’t have a lot to do in the footage. There’s a lot with Cyd Charisse as Monroe’s rival, expect Charisse is awful and her character’s a harpy anyway. It’s unbelievable Dean Martin would be interested in her, much less marry her.
Give probably would have been most interesting for Martin. He’s sans ego for the most part, playing a man plagued with insecurity and impotence.
The film appears to be rather well-produced, except Tori Rodman. Rodman compiled the footage decades later, mimicking the era well, but it’s a soulless effort.
John McGiver is hilarious as a judge who spars with Martin.
Directed by George Cukor; screenplay by Arnold Schulman, Nunnally Johnson and Water Bernstein, based on a screenplay by Bella Spewack and Sam Spewack; directors of photography, Franz Planer and Leo Tover; edited by Tori Rodman; music by Johnny Mercer; produced by Henry T. Weinstein; released by Fox Home Video.
Starring Marilyn Monroe (Ellen Wagstaff Arden), Dean Martin (Nick Arden), Cyd Charisse (Bianca Russell Arden), Wally Cox (Shoe Salesman), John McGiver (The Judge), Phil Silvers (Johnson), Tom Tryon (Steven Burkett), Alexandra Heilweil (Lita Arden), Robert Christopher Morley (Timmy Arden), Grady Sutton (The Judge’s Clerk), Eloise Hardt (Miss Worth) and Steve Allen (The Psychiatrist).