Terry Austin takes over inks and immediately the art starts looking great again. Bolland (or Austin) even manages some backgrounds. Too bad the comic’s really, really dumb.
First off, the battle scene. Maybe Merlin magicked the Knights to survive in space without protection, but he didn’t magic all the supporting cast they meet to survive.
The two subplots Barr works on here–former Sir Tristan, current Lady Tristan, betraying the Knights for a sex change from Morgan LeFay and then Guinevere gleefully cuckolding Arthur–are exceptionally lame. The Tristan decision has no weight, but it’s not monumental (yet). But Guinevere and Lancelot? There’s no narrative purpose other than a melodramatic one. Barr’s got to keep the characters shallow and poorly written to excuse his goofy plot turns.
The art does make up for some of it, and Morgan LeFay continues to amuse, but the writing’s painfully weak.
Camelot‘s a bore.
Betrayal; writer, Mike W. Barr; penciller, Brian Bolland; inker, Terry Austin; colorist, Tatjana Wood; letterer, John Costanza; editor, Len Wein; publisher, DC Comics.