I feel a little like one of those jokes about training an AI to write something because this episode of “Becker”—specifically how I write about it—is going to be very similar to the last time I wrote about an episode of “Becker” written by Ian Gurvitz.
I thought having Andy Ackerman directing would make a difference. Nope. It’s still a very Gurvitz episode. Ted Danson’s rants have that sensational edge to them. Sensational versus inspired. It’s also weird because last episode Danson supposedly learned he didn’t like it when people stopped wanting him as a doctor because of his mouth. This episode doesn’t acknowledge any change.
Also bad with Gurvitz is whatever he’s doing with Terry Farrell. Moving her around, giving her bad lines, it’s a real bummer because she was starting to get her comedy bravado down and instead she’s floundering again. But because of the script having jack for her.
The script’s also got jack for Hattie Winston, which seems weird because the show knows Winston’s awesome. The show—Gurvitz even I’m fairly sure—has showcased her. She gets jack here. Shawnee Smith ostensibly gets more—she’s in between apartments and has to live in the medical office—but she doesn’t actually get more. She’s just around a little more than usual. Not leading scenes around or having a subplot around, just physically around. To give Danson a yelling target.
The episode’s about Danson having to write a medical article and not being able to get any solitude to do so. Spoiler, he pulls it out of his ass, because “Becker” is arguably a more adept version of, you know, “House M.D.” He’s a brilliant jackass. Please laugh.
Alex Désert gets a subplot with Kenna J. Ramsey. Ramsey wants to move in together, Désert doesn’t. It’s a subplot set entirely in the diner, somewhere else for the camera to go when Danson and Farrell are taking a break from expository banter.
It’s not an endearing subplot.
Elya Baskin’s fun as Danson’s new super. It’s a silly, lazy bit but he’s still fun.
This show is so rocky. It’s way too inconsistent, quality-wise. Sure, people watched it once a week but it’s not like you’d care about tuning in after a couple stinkers.
Relatively, obviously, for a generally well-acted and competently produced sitcom. I just want it to get better. Or at least less inconsistent in its mediocre.