The Hoose-Gow is something of an early talkie mess. The shots are paced for a silent movie, leaving long awkward pauses in the soundtrack. The short’s synchronized sound is a fledgling effort. The stock sounds, when used, are obvious.
Parrott’s direction is problematic throughout, with his main deficiency becomes lucid at the finish. The short ends in a food fight and Parrott goes out of his way to remind the audience where the food (a big mess of rice) is on the frame. His direction’s artless and boring, which means the performers need to make it work. And they don’t. How can they with the awkward pacing of the scene.
The lack of sound hurts Stan Laurel mostly–Oliver Hardy gets more talking, sure–but Laurel’s often left without sound for his nervous tick behavior.
Besides George Stevens’s truly wondrous photography, The Hoose-Gow has nothing to recommend it.
Directed by James Parrott; written by H.M. Walker; director of photography, George Stevens; edited by Richard C. Currier; produced by Hal Roach; released by Metro-Goldwyn-Mayer.
Starring Stan Laurel (Stan), Oliver Hardy (Ollie), Tiny Sandford (Warden), James Finlayson (Governor) and Leo Willis (Leo).
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