Wow, it ends with Godzilla and Minya (Godzilla’s son for those unfamiliar–there’s no mama; I’m pretty sure Godzilla’s asexual) waving to the camera. How sweet.
Destroy All Monsters is barely a Godzilla movie, really. The monster only shows up at the beginning for the establishing of the ground situation–the narrator explains it is a near future and all the monsters live peacefully on one island–for a bit in the middle and then at the end for the big monster mash. The story itself doesn’t need an appearance.
It’s a sci-fi action thriller–Earth is under attack from space aliens and this crack UN team of guys races around doing stuff to save the world. It’s ripe for a remake–with the casual misogyny (all the evil aliens are female), maybe Neil LaBute could do it.
The effects are weak (it’s hard to believe it’s from the same year as 2001), but Honda’s occasionally ambitious with the effects work. It doesn’t look real, but it’s neat. Unfortunately, those moments are far and few. The film only runs eighty-some minutes but it drags often. There’s a lengthy sequence with the brainwashed humans in suits acting like it’s a shootout from a James Bond rip-off. And all the sets look like something out of “Star Trek” for the first twenty minutes or so.
The performances are generally fine, except ingenue Kobayashi Yukiko. She’s atrocious.
Ifukube Akira’s music is utterly fantastic.
Still, it’s a chore to get through.
Directed by Honda Ishirô; written by Honda and Kimura Takeshi; director of photography, Kankura Taiichi; edited by Fujii Ryohei; music by Ifukube Akira; production designer, Kita Takeo; produced by Tanaka Tomoyuki; released by Toho Company Ltd.
Starring Kubo Akira (SY-3 Captain Yamabe Katsuo), Tazaki Jun (Dr. Yoshido), Kobayashi Yukiko (Yamabe Kyoko), Tsuchiya Yoshio (Dr. Otani), Ai Kyôko (Kilaak Queen), Andrew Hughes (Dr. Stevenson), Tôgin Chôtarô (Ogata), Tajima Yoshifumi (General), Sahara Kenji (Commander Nishikawa) and Itô Hisaya (Major Tada).