Dark Horse Presents 61 (April 1992)

Sin City has gotten useless to the point I’m not even sure I should talk about it. It’s sort of interesting in regards to Miller’s terrible plotting. One might think he’d adapt Chandler or even Hammett, just amping it up, but he doesn’t. He figures out his own “hard boiled” structure and it’s awful. I guess he draws a little bit more this entry than usual. Not much though.

It’s the longest Earth Boys story so far and the extra pages don’t help the writing. But Story’s back inking Johnson, so it definitely looks a lot better.

The Creep is a continued delight. Eaglesham gets in some more street scenes, which look great, and Arcudi has a few surprise developments. It’s just a fantastic series.

Not fantastic is O’Barr’s Frame. He seems to think making his subject as horrendously awful means I should read it. Actual writing doesn’t matter. Boo.


Sin City, Episode Twelve; story, art and lettering by Frank Miller. Earth Boys, Homeward Bound; story by Cliff Biggers and Brett Brooks; pencils by Dave Johnson; inks by Karl Story; lettering by Mike Heisler. The Creep; story by John Arcudi; art by Dale Eaglesham; lettering by Pat Brosseau. Frame 137; story, art and lettering by James O’Barr. Edited by Randy Stradley.

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