Tag Archives: Yvonne Furneaux

Repulsion (1965, Roman Polanski)

At around the seventy minute mark, Repulsion finally gives Catherine Deneuve some personality. Sure, she’s gone completely insane at this point, but she sings a little lullaby to herself. And Deneuve is in at least sixty-five of those seventy minutes without any personality (she loses it again soon after). She is the subject of the film, not the protagonist.

The titular Repulsion refers to Deneuve’s repulsion towards sex. She’s this beautiful young woman who doesn’t appreciate the lecherous men of London–and director Polanski’s very clear about it, all the men in London are lecherous. Even Deneuve’s affable though clearly obsessive suitor, played by John Fraser. Even Fraser’s male friends, who exude piggishness towards women while leaving the door open for male company. That last bit is implied, just like when Deneuve freaks out when a girlfriend stops talking about hanging out with her and instead talks to her about men. There’s some brief, but hateful speech about lesbians.

And, even though the hateful opinions come from the piggish guys, it’s not like the script (from Polanski, Gérard Brach and David Stone) is against it. If Deneuve’s been driven insane by her virginity–and unrealized lust for male attention–then all the men in the film get a pass.

Including when Fraser becomes a dangerously unhinged stalker and when Patrick Wymark tries to rape Deneuve. They’re victims of her insane actions.

It’s a creepy movie; it’s calculated and insincere for its entire running time, which I guess is something.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Roman Polanski; written by Polanski, Gérard Brach and David Stone; director of photography, Gilbert Taylor; edited by Alastair McIntyre; music by Chico Hamilton; produced by Gene Gutowski; released by Compton Films.

Starring Catherine Deneuve (Carol), Ian Hendry (Michael), John Fraser (Colin), Yvonne Furneaux (Helen), Patrick Wymark (Landlord), Renee Houston (Miss Balch) and Valerie Taylor (Madame Denise).


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The Mummy (1959, Terence Fisher)

I’ve long held there are no good filmic Dracula adaptations. I’m now going to say there aren’t any good Mummy pictures after the Karloff one. This Hammer production was an officially licensed remake of the Universal production… only not the Karloff title, instead the inferior Universal follow-ups, The Mummy’s Hand and The Mummy’s Tomb. These films are awful, so, in making their first official remake of a Universal horror picture, Hammer chose to remake two awful ones (combining them into a single picture).

I didn’t grow up on Hammer horror films. I knew about them, mostly through their excellent poster art and the Maltin Movie Guide, but I didn’t really see them until I was in college. And then I discovered they’re truly awful, ineptly written wastes of time. The Mummy is, shockingly, one of their better efforts, mostly because it’s a fruit of a poison tree so it’s not Fisher’s fault. Who knows if he’d have directed it well–Jack Asher’s lighting makes the sets look as big as shoe boxes.

Peter Cushing’s a weak lead, but he’s not terrible. Christopher Lee’s okay as the mummy, I guess. Hard to mess it up. Yvonne Furneaux can’t act, but the movie doesn’t really expect anyone to act, so who cares… Only Eddie Bryne, as a police detective, and Felix Aylmer give good performances. They’re very out of place in the picture.

The Mummy‘s a dreadful waste of time and I recommend everyone avoid. But there are worse Mummy pictures.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Terence Fisher; written by Jimmy Sangster; director of photography, Jack Asher; edited by Alfred Cox and James Needs; music by Franz Reizenstein; production designer, Bernard Robinson; produced by Michael Carreras; released by Universal Pictures.

Starring Peter Cushing (John Banning), Christopher Lee (Kharis, the Mummy), Yvonne Furneaux (Isobel Banning / Princess Ananka), Eddie Byrne (Inspector Mulrooney), Felix Aylmer (Stephen Banning), Raymond Huntley (Joseph Whemple) and George Pastell (Mehemet Bey, Alias Mehemet Akir).


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