All Creatures Great and Small (2020) s03e06 – For Whom the Bell Tolls

In the way it has come for so many British television shows, movies, radio plays, and so on, war has come to “All Creatures Great and Small,” specifically the beginning of World War II. Or at least the King’s Speech beginning of World War II. The family gathers around the radio and everyone gets their demo reel clip. It’s exceptionally well-done. This episode is director Stewart Svaasand’s first “Creatures,” and it’s setting a high bar.

While everyone’s been worrying about the European conflict since the end of last season—with Nicholas Ralph moping about not getting to sign up for a few episodes, forced deferred because he’s a vet—it becomes real for everyone here. Great scenes for Samuel West and Anna Madeley, who get this quietly devastating arc about an abandoned dog. Someone drops him off at the vet’s, presumably on his way to enlist, and, while West is sympathetic as all hell, he doesn’t want people overloading them with abandoned pets.

Then Ralph and Rachel Shenton have a one-two gut-punch arc with the war coming, but also Shenton’s cattle coming in positive for tuberculosis. Not great, considering Shenton’s dad, Tony Pitts, was the one who vouched for the testing in the first place (and doesn’t have savings to get through a quarantine). Imogen Clawson’s around too, but entirely support for Pitts’s arc. Some excellent moments for Shenton throughout, especially an unexpectedly dramatic paperwork subplot.

Callum Woodhouse has the two fun arcs, obviously with significant caveats. He goes to dinner at girlfriend Sophie Khan Levy’s house and finds her father, Kris’s Dosanjh, not the villainous vet he’s been led to believe. Charming family dinner scene, setting Woodhouse up for his big reaction to the war arc. But first, he’s got to visit Patricia Hodge, who’s getting her house ready for the county to utilize in wartime. Adorable cameo from Tricki Woo (wonderfully essayed, as ever, by Derek), but he’s not the focus.

Adrian Rawlins (Ralph’s hard-nosed TB testing supervisor) and Will Thorp (Madeley’s not-romantic but romantic male friend) have great scenes.

It’s all very British and very good–script credit to Jamie Crichton.

All Creatures Great and Small (2020) s03e03 – Surviving Siegfried

Like they heard my questions, this episode has Rachel Shenton returning to her family farm to check in on things. Sort of. There’s no discussion of whether or not she’s still working at the farm or what’s up with little sister Imogen Clawson (who doesn’t appear in this episode; I keep forgetting this season is a Rona-season). She’s instead going to ask dad Tony Pitts to get on board with Nicholas Ralph’s TB testing program.

Other than the visit with Pitts, Shenton spends her entire time this episode hanging out with Ralph. Mostly at work. Farmer Isaac Crawford wants Ralph to falsify a cow autopsy to collect on the insurance, but Ralph doesn’t think fraud is cricket. It’s a subplot for Ralph and Shenton, giving them something to do, while the main plot belongs to Samuel West.

The episode begins with a World War I flashback, which is never good. Andy Sellers plays the young version of Ralph, who’s in the veterinary corps and protecting the horses. They’ve just found an injured one they think they can help. It’s devastating. The flashbacks are recurring, too, because, in the present, Ralph’s going through a couple things involving his old war buddies.

Michael Maloney, playing the old man version of Ralph’s commanding officer, has a skittish racehorse giving him problems and wants Ralph to evaluate. Depending on Ralph’s report, Maloney might put the animal down. As the present-day story progresses, with West trying to rehabilitate the horse, the flashbacks show how Sellers and Jolyon Coy (as young Maloney) squared off about the horses back in the war. Again, devastating stuff.

The episode—script credit to Ben Vanstone—knows there are only so many times they can dunk the viewer into despair, so Callum Woodhouse gets the lighthearted subplot about trying too hard to restock the dispensary.

Anna Madeley plays support to Ralph’s arc, the only person he’s willing to confide in. There’s a brief mention of the current war at the beginning of the episode, but nothing for Ralph to do with it. Given how much the season premiere foreshadowed Ralph’s interest in enlisting (again, I haven’t googled James Herriot for spoilers), it’s weird quickly he’s forgotten.

It’s a particularly great episode for West, who rarely gets this kind of extensive focus and character development.

Besides Ralph forgetting he wants to join up and Shenton not getting to establish herself post-wedding, living with her husband and his coworkers, “Creatures” is checking all its boxes this season.

All Creatures Great and Small (2020) s03e01 – Second Time Lucky

Last season’s Christmas special ended with World War II getting started (or as close as they could get to the war starting without it starting); this season begins with the recruiters in Darrowby, but the vets are exempt from service. It’s a running subplot throughout the episode, initially very gentle, as Nicholas Ralph discovers you can override your exemption and opt-in. Everyone else starts wondering why he’s so keen.

Because it’s not a “James Herriot goes off to war” episode—one thing about “All Creatures” being based on memoirs is you could just google and spoil the story; I’m going to let myself be surprised, or not. No, it’s a wedding episode. Ralph and Rachel Shenton are heading down the aisle, complete with bachelor’s night at the Drovers, Ralph’s parents coming to town (Gabriel Quigley and Drew Cain have surprisingly little to do), and everyone worrying Shenton’s going to have second thoughts again.

There’s a lot of nice character stuff for Shenton, with the various people in her life asking how she’s feeling about this wedding, including little sister Imogen Clawson, who’s ready for Shenton to move out (even if Shenton isn’t), vets’ housekeeper Anna Madeley, and, of course, dad Tony Pitts, who gets gruffer and more adorable every episode.

But Ralph’s arc is muddled, partially through intentional obscurity (the enlistment subplot), partially because part of the story is Ralph, Samuel West, and Callum Woodhouse getting blackout drunk at the Drovers for the bachelor’s party. Madeley’s got to get them motivated and moving, with a veterinary case making it hard to make the church on time.

The episode feels more like a special than a season premiere, with nothing really being established for what’s next. There’s also this weird moment when Woodhouse comments on Ralph’s Brobdinagian sense of duty, based on something in the veterinary case, but the example was someone class shaming Ralph, not his sense of duty. It’s a disconnect.

The episode’s good; the performances are rock solid; nothing feels off; it just doesn’t feel like we’re really back in Darrowby yet. Even the Tricki Woo (essayed, as ever, by Derek) cameo feels too forced for a regular episode but just right for a summer special.

It also might just be the “missing wedding ring” subplot, running through the entire episode, is the closest the show’s ever gotten to saccharine. “All Creatures” has always been exceptionally well-balanced (save a couple times), and it’s always weird when they go too far.

All Creatures Great and Small (2020) s02e06 – Home Truths

This episode takes place in late September 1938. The episode opens with Nicholas Ralph and Rachel Shenton going to the movies and watching a newsreel about Chamberlain going to meet with Hitler. Shenton keeps telling Ralph not to worry about world events, which isn’t a great recommendation for taking Shenton’s advice.

The date’s not all doom and gloom, with a client, Mike Harding, amusingly hassling Ralph.

However, back home, Anna Madeley is similarly concerned with the possibility of war. She gets a bigger arc than usual, including going on what ought to be a romantic walk with love interest Will Thorp, except they instead talk about the looming conflict. Madeley’s worried her son will enlist for king and country. It’s a nice plot for Madeley, who rarely gets to talk to the veterinary boys about anything except them.

The main plot this episode is Ralph’s parents visiting. He hasn’t told mom Gabriel Quigley he won’t be going back to Glasgow, which the show also hasn’t expressly stated until this episode either. And it’ll turn out Ralph also didn’t tell some other folks he should’ve told about it. Waiting for him to break the news to his parents—which comes after another big announcement—is rather suspenseful, just because Ralph’s so bad at confrontation.

And decisiveness. Ralph’s other personal plot in this episode is the fallout from Samuel West telling him to hurry up and propose to Shenton, something Ralph hadn’t been planning on doing, what with Shenton leaving her last groom-to-be at the altar last season. It turns out to be a pretty good subplot for Shenton, who doesn’t get to talk through all of her feelings, but she does get to experience them on screen.

The veterinary case this episode is widow Amy Nuttall’s cows again. The episode breezes through her grazing land being infested with a parasite, and now they’re just worried about the cows having salmonella. The first scene with Nuttall and Ralph has a very brief recap of her last appearance and some catching up—the script, credited to Ben Vanstone, rushes through the specifics. Then it’s all fine, with the Nuttall plot working nicely into Ralph’s parents’ visit. It’s a nice redemption of Nuttall, who I dreaded after her last appearance, but that episode seems to be “All Creatures”’s season two (and series, actually) low point.

The main “house” subplot is whether or not Callum Woodhouse is going back to college to try for professional certification. Third time’s the charm, perhaps. West is pressuring him, Madeley’s telling West to leave him be, while Woodhouse is more concerned with finding a good home for a local stray. The stray story involves a local nomad, Frances Tomelty, who doesn’t see much point in veterinarians, and she and Woodhouse have a genially tense relationship. The story’s the most agency Woodhouse’s gotten on his own as a vet, which makes West’s ill-informed character attacks even more grating than usual. Intentionally and to good effect. There’s a lot of drama in the episode, even if the stakes are reasonably low.

Especially since they’re all set against the Munich Conference.

Quigley and Drew Cain (as Ralph’s dad) do particularly well in the episode, getting far better character material than ever before. Madeley, Shenton, Woodhouse, and Tony Pitts are the other acting highlights.

It’s a foreboding but reassuring—the great British resolve and all—close to the season. Well, save the Christmas special.

Red Riding: In the Year of Our Lord 1980 (2009, James Marsh)

This adaptation runs almost ninety minutes (almost) and the source novel is, according to Amazon, 400 pages. So I’m guessing the novel doesn’t read like a disjointed, James Ellroy goes to England, but what do I know, I’ve only seen the movie. But it’d be hard at 400 pages… even with a big font.

There’s a lot good about 1980–Paddy Considine is outstanding in the lead, essentially playing the UK version of the last honest cop (also, not Irish–but still Roman Catholic). The film fails him. But there are very few actors who 1980 doesn’t end up failing. Of the (extended) principals, David Morrissey weathers it best–he all of a sudden grows a character halfway through the film, instead of getting left behind as the revelations ramp up.

The best performances, besides Considine, are supporting, Peter Mullan and Julia Ford. Mullan’s got an extended cameo, Ford’s got one and a half scenes, but both of them make 1980 feel real, instead of like an over-cooked melodrama.

Some of the problem might be Marsh doesn’t make Yorkshire seem like a real place. It feels like there’s a bar, a police station and a handful of other nondescript locations. The script’s not inventive enough to make something of those elements (and Marsh opening with historical news clips doesn’t get him a pass either).

Until the third act, 1980‘s ok, because it’s nothing but Considine’s story.

Once it gets, forcibly, incorporated into the Red Riding whole, it plummets.