Tag Archives: Robert Sheehan

The Road Within (2014, Gren Wells)

The Road Within is a story about finding yourself. Every guy in the movie finds himself. The women don’t find themselves but they help the guys find themselves. How do you find yourself? By rebelling.

Except Road is about people with mental disorders. Lead Robert Sheehan has Tourettes, his romantic interest (Zoë Kravitz) has anorexia and his roommate (Dev Patel) has really bad OCD. Kyra Sedgwick is their chain smoking doctor, Robert Patrick is Sheehan’s dad (who has anger management issues). The movie gets off to a strange start in Sedgwick’s clinic because no one else is anywhere near as sick as Sheehan, Kravitz and Patel. It’s only natural they’d steal Sedgwick’s car and head west through beautiful country as they each confront their demons.

As a director, Wells knows how to compose a pretty shot. Everything in Road is pretty, even when they’re supposed to be in a crappy town. The beauty of the world around us is curative. Unless you’ve got anorexia, in which case the love of a good man just isn’t enough to fix you.

Road is always trite–Wells’s script hits every trite trope she can find–but it isn’t until the last act it actually gets offensive. It works its way through a checklist of resolutions then has a happy-ish ending on a lovely beach boardwalk.

The characters are poorly written but all the actors do well, especially Kravitz and Patrick (who have the worst characters).

It’s not their fault Road’s baloney.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Gren Wells; screenplay by Wells, based on a film written by Florian David Fitz; director of photography, Christopher Baffa; edited by Gordon Antell and Terel Gibson; music by Josh Debney and The Newton Brothers; production designer, Nanci Roberts; produced by Brent Emery, Bradley Gallo, Michael A. Helfant, Guy J. Louthan and Robert Stein; released by Well Go USA Entertainment.

Starring Robert Sheehan (Vincent), Dev Patel (Alex), Zoë Kravitz (Marie), Robert Patrick (Robert) and Kyra Sedgwick (Dr. Rose).


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Red Riding: In the Year of Our Lord 1980 (2009, James Marsh)

This adaptation runs almost ninety minutes (almost) and the source novel is, according to Amazon, 400 pages. So I’m guessing the novel doesn’t read like a disjointed, James Ellroy goes to England, but what do I know, I’ve only seen the movie. But it’d be hard at 400 pages… even with a big font.

There’s a lot good about 1980–Paddy Considine is outstanding in the lead, essentially playing the UK version of the last honest cop (also, not Irish–but still Roman Catholic). The film fails him. But there are very few actors who 1980 doesn’t end up failing. Of the (extended) principals, David Morrissey weathers it best–he all of a sudden grows a character halfway through the film, instead of getting left behind as the revelations ramp up.

The best performances, besides Considine, are supporting, Peter Mullan and Julia Ford. Mullan’s got an extended cameo, Ford’s got one and a half scenes, but both of them make 1980 feel real, instead of like an over-cooked melodrama.

Some of the problem might be Marsh doesn’t make Yorkshire seem like a real place. It feels like there’s a bar, a police station and a handful of other nondescript locations. The script’s not inventive enough to make something of those elements (and Marsh opening with historical news clips doesn’t get him a pass either).

Until the third act, 1980‘s ok, because it’s nothing but Considine’s story.

Once it gets, forcibly, incorporated into the Red Riding whole, it plummets.

1/4

CREDITS

Directed by James Marsh; screenplay by Tony Grisoni, based on a novel by David Peace; director of photography, Igor Martinovic; edited by Jinx Godfrey; music by Dickon Hinchliffe; production designer, Tom Burton; produced by Andrew Eaton, Anita Overland and Wendy Brazington; released by Channel 4.

Starring Paddy Considine (Peter Hunter), Maxine Peake (Helen Marshall), Andrew Garfield (Eddie Dunford), David Morrissey (Maurice Jobson), Tony Pitts (John Nolan), Peter Mullan (Martin Laws), Robert Sheehan (B J), Sean Harris (Bob Craven) and Tony Mooney (Tommy Douglas).


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