Tag Archives: Stephen Boyd

Fantastic Voyage (1966, Richard Fleischer)

Among Fantastic Voyage‘s many problems, the two salient ones are the general lack of tension and the utter lack of wonderment. Fleischer is responsible for both, though maybe not so much the first. The story can’t really be tense because there’s very little at stake. The film’s principal characters–reduced in size to perform brain surgery from inside the brain–have a time limit of sixty minutes before they automatically enlarge.

And the guy with the brain injury isn’t a character, he’s just some scientist who picked the U.S. over the Reds. It’s not like anyone really cares about him.

As for the lack of wonderment, Fleischer is hampered with old special effects, but plenty of old movies have lots of wonderment. He clearly just doesn’t get it.

There are two or three effective sequences in Fantastic Voyage, which can’t make up for the lame script or Raquel Welch’s insufferable performance. She doesn’t even talk her first ten minutes in the film and she’s clearly terrible. Fleischer and the screenwriters do manage to contrive a way to get her into a wetsuit, of course. Oddly, it’s for one of those effective sequences–Fleischer’s excellent with three dimensions.

When the film opens with Stephen Boyd and Edmond O’Brien, the two actors are so strong together, it seems like Voyage will be all right. Sadly, it’s not.

Boyd’s good, O’Brien’s good, so is Arthur O’Connell. Arthur Kennedy has good moments, Donald Pleasence has less.

It’s a tedious film. Great opening titles though.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Richard Fleischer; screenplay by Harry Kleiner, based on an adaptation by David Duncan and a story by Otto Klement and Jerome Bixby; director of photography, Ernest Laszlo; edited by William B. Murphy; music by Leonard Rosenman; produced by Saul David; released by 20th Century Fox.

Starring Stephen Boyd (Grant), Raquel Welch (Cora), Edmond O’Brien (General Carter), Donald Pleasence (Dr. Michaels), Arthur O’Connell (Col. Donald Reid), William Redfield (Capt. Bill Owens), Arthur Kennedy (Dr. Duval) and Jean Del Val (Jan Benes).


RELATED

Advertisements

The Third Secret (1964, Charles Crichton)

Between Crichton’s fantastic CinemaScope composition and Douglas Slocombe’s wondrous black and white photography, it’d be hard not admire The Third Secret. It’s an engaging enough thriller, though it does run into the problem of having one ending too many.

Stephen Boyd plays an American television journalist working in London–one of the lovely things about the script is how little is explained, we find out very little about Boyd’s life before the present action of the film–and he investigates the death of his psychologist. Joseph’s script has some problems with that subject, the topic of analysis needing lots of exposition and reminders there’s no shame. It hurts the film at times, but not significantly.

Boyd’s performance is impressive, since he’s adapting a character performance for a lead role. The friendship between him and Pamela Franklin (she plays the dead psychologist’s daughter) is touching and quite well executed. Franklin’s performance is great.

The rest of the supporting cast is solid. Diane Cilento and Paul Rogers are standouts.

A lot of time is spent developing Boyd’s character and the friendship with Franklin so the mystery aspect suffers. The two surprise endings are both pretty boring. The first one seems a little more believable–and there are some hints to a possible third ending they didn’t include.

The film, with Boyd and Franklin’s performances, should be a lot stronger. The mystery isn’t compelling, which seems like a conscious choice. Unfortunately, the attention the wanders, instead of focusing on the film’s successes.

But worth a look.

1.5/4★½

CREDITS

Directed by Charles Crichton; written by Robert L. Joseph; director of photography, Douglas Slocombe; edited by Frederick Wilson; music by Richard Arnell; production designer, Thomas N. Morahan; produced by Joseph and Hugh Perceval; released by 20th Century Fox.

Starring Stephen Boyd (Alex Stedman), Jack Hawkins (Sir Frederick Belline), Richard Attenborough (Alfred Price-Gorham), Diane Cilento (Anne Tanner), Pamela Franklin (Catherine Whitset), Paul Rogers (Dr. Milton Gillen), Alan Webb (Alden Hoving), Rachel Kempson (Mildred Hoving), Peter Sallis (Lawrence Jacks), Patience Collier (Mrs. Pelton), Freda Jackson (Mrs. Bales), Judi Dench (Miss Humphries), Peter Copley (Dr. Leo Whitset), Nigel Davenport (Lew Harding) and Charles Lloyd Pack (Dermot McHenry).