Prophet 43 (March 2014)

The difference between a divine Prophet and an excellent one? The divine one has less story. The issue opens with the tree-man on Old John’s team. Bayard Baudoin does the art for his story. It’s very stylized, very lyrical. In just a few pages, Baudoin is able to define how the tree-man sees the universe and his place in it.

Except the issue isn’t just his story. It starts with him, moves to the space battle–including another fun flashback to Youngblood. Even though Graham and Roy use such flashbacks more often now, they’re still surprising. For a moment Prophet all of a sudden becomes a comic about comics, a wild imagining of what could be. Then the moment passes–organically–and the story continues. It’s a very nice move the writers make.

The third part involves the slaves (from many issues ago); it’s setup. Good, but obviously setup.

B+

CREDITS

Writers, Brandon Graham and Simon Roy; artists, Bayard Baudoin, Giannis Milonogiannis, Roy, Matt Sheean and Malachi Ward; colorists, Joseph Bergin III, Baudoin, Sheean and Ward; letterer, Ed Brisson. Pieces; writer and artist, Daniel Warren Johnson; colorist, Doug Garbark. Publisher, Image Comics.

Prophet 41 (December 2013)

Prophet 41 1 Wait… Did I really read the whole thing? It feels like there should be more. Graham and Roy are back to splitting the issue between new and old John Prophet–though here it’s mostly the sidekicks of the Newfather and not much for the old John’s team–and nothing gets resolved.

Even the cliffhanger is goofy, bringing in a new threat in the last couple pages and then the comic just stops.

Then comes Ron Ackins strange back-up about a black cop defending a city in the future where some African nation has built a new civilization for African Americans. Ackins can’t write–for the first two pages, I thought it was an ad for a music group–and he doesn’t draw well either.

Like I said, it’s an awkward issue. Even in the feature, Graham and Roy rush through their character moments, which they usually spend time on.

B-

CREDITS

Writers, Brandon Graham and Simon Roy; artists, Giannis Milonogiannis, Roy, Matt Sheean and Malachi Ward; colorists, Joseph Bergin III, Sheean and Ward; letterer, Ed Brisson. Lancaster Bleu; writer and artist, Rob Ackins. Publisher, Image Comics.

Prophet 40 (October 2013)

287903 20131030201716 large Graham and Roy mostly just work towards bringing the New John together with the Old John, even though Old John doesn’t seem to understand what’s going on yet. He’s a pawn on the intergalactic chessboard, which this issue includes the return of Badrock–an old Image hero from some series or another–and a Cthulhu-like thing flying across the galaxy towards them.

There’s time for some character stuff with Old John, but it’s only a page or so and not as affecting as the conversation between two of New John’s team. One forgets Graham and Roy were able to take Prophet so far in such relatively few issues.

The main story ends up suffering from a lovely little back-up from Nerd O’Reilly. A wizard gets mad at his crystal skull (it’s animate, of course) and it’s a touching, funny little story.

The feature’s just too rambling in comparison.

CREDITS

Writers, Brandon Graham and Simon Roy; artists, Giannis Milonogiannis, Roy, Matt Sheean and Malachi Ward; colorist, Joseph Bergin III; letterer, Ed Brisson. Crystal Wizard; writer and artist, Paul Bohm. Publisher, Image Comics.

Prophet 39 (September 2013)

283111 20130911103147 large It’s the Diehard issue, which is an easy pick for favorite Prophet issue but maybe only because Graham and Roy get to do a summary story covering about 10,000 years.

They open with a retelling–I assume, I have no idea–of Diehard’s origin on Earth in the twentieth century. The art, by era, is from one person or another (or a team). It’s all awesome, with Lando’s standing out the most because it’s such a sad story.

Anyway, there’s a first act, a second act, a little third act. Even though the issue moves fast, across the galaxy (and beyond) and through thousands of years, Graham and Roy show the the effects on Diehard and how he changes. Graham is doing so much with Prophet already, I guess he figured he had to do amazing things with forgotten superheroes too.

Lovely, muted Paul Bohm backup too.

Truly exquisite stuff.

CREDITS

Diehard; writers, Brandon Graham and Simon Roy; artists, Giannis Milonogiannis, Joseph Bergin III, Matt Sheean, Malachi Ward, James Stokoe, Aaron Conley, Lando, Ron Wimberly, Graham and Roy; colorist, Bergin; letterer, Ed Brisson. Backup; writer and artist, Paul Bohm. Publisher, Image Comics.

Prophet 38 (August 2013)

280189 20130815010038 large What an issue. With Roy and Milonogiannis splitting the art–basically between Old John and New John–it’s a visual feast to be sure. It’s also exceptionally confusing.

The Old John stuff is simpler. It’s a tie-in with Supreme, which most Prophet readers can’t be familiar with, right? But Graham runs with it.

He doesn’t give enough time to the sidekicks though, especially not with the middle issue changeover to New John. And New John doesn’t really do anything–he gets a new arm–before Graham moves on to some planetoid.

At that point, the issue becomes completely incomprehensible. I think a planet gets broken up to free a planet-sized Prophet from a gravity well. Or something.

The backup, from Kate Craig, is cute. It’s a little too cute, with a white koala bear looking guy on a distant planet playing with the weird indigenous lizards. It’s fine.

CREDITS

Prophet; writers, Brandon Graham and Simon Roy; artists, Bayard Baudoin, Giannis Milonogiannis and Simon Roy; colorist, Joseph Bergin III, Jessica Pollard and Roy; letterer, Ed Brisson. Catch and Release; writer, artist, colorist and letterer, Kate Craig. Publisher, Image Comics.

Prophet 36 (June 2013)

919049 So New John is just Newfather now. Very easy. Oh, and nice cameo again–Graham really seems to enjoy the winks. He’s able to put them in and move right along. It helps Old John’s crew is so personable. Wouldn’t work without them.

There’s a little on Diehard’s crushing again this issue. Nothing ominous but it’s hard to say how it’ll work out. You can never guess with Prophet.

Graham now has Newfather set up his own crew. They’re not as personable–they are just clones after all–but he’s making the juxtaposing between the two Johns more similar in delivery while maintaining difference in texture. Very cool. They’re on the same mission too, so a meet-up is inevitable.

The Care backup is positively distressing this time. The art’s grossness hurts the strip big time. One fixates on the ick factor, not the delicate profoundness of the actual story.

CREDITS

Prophet; writers, Brandon Graham and Simon Roy; artists, Roy, Giannis Milonogiannis, Matt Sheehan and Malachi Ward; colorists, Joseph Bergin III, Roy, Sheehan and Ward; letterer, Ed Brisson. Care, Part Three; writers, artists and colorists, Sheean and Ward. Publisher, Image Comics.

Prophet 35 (May 2013)

910298 Graham has seemingly hit a lull issue. Not a bad issue, but definitely some kind of a bridging one. It’s always hard to say with Prophet, since Graham and his collaborators often do something unexpected.

He splits the issue between Old John and New John. Old John is traveling to meet The Troll, a warlord of some kind apparently, who occupies a moon of Mars. There’s some great stuff with his crew, some oddly touching moments and some funny ones. Very grand scale sci-fi stuff.

New John, on the other hand, should have grand scale too–he’s part of an attack to defeat these aliens who Graham leaves obscure–but Milonogiannis never amps up the huge battle. There are establishing shots, some quick interludes, some expository help, but it feels oddly small. Even though it’s obviously huge.

The Care backup continues to be weird. Better this issue than last.

CREDITS

Prophet; writers, Brandon Graham and Simon Roy; artist, Giannis Milonogiannis; colorist, Joseph Bergin III; letterer, Ed Brisson. Care, Part Two; writers, artists and colorists, Matt Sheean and Malachi Ward. Publisher, Image Comics.

Prophet 34 (February 2013)

900202 It’s another excellent issue. Whatever Graham’s got planned for Prophet, he’s also figured out a way to draw it out but never get boring.

This issue, featuring some great art from Roy, does establish a little more with the New Father John Prophet–he’s the one from the first few issues of the relaunch; seems like he’s been gone for a while and even though he’s sort of a bad guy, it’s nice having him back.

Anyway, what Graham and Roy do here is move him along baby steps but do so in a way to show all the variations of the John Prophet clone. Not all the Johns appear human, not all are equal, some are quiet alien. It’s wacky and wonderful.

The backup, from Matt Sheean and Malachi Ward, disappoints a little. It starts really cool but then turns out to be a Logan’s Run knockoff or something.

CREDITS

Prophet; writers, Brandon Graham and Simon Roy; artist, Roy; colorist, Joseph Bergin III; letterer, Ed Brisson. Care, Part One; writers, artists and colorists, Matt Sheean and Malachi Ward. Publisher, Image Comics.

Prophet 33 (January 2013)

Skitched 20130719 172620 Awesome issue, just awesome. Graham ends it with this awkward silence–he only hints at the big events going on–with a focus on Old Man John Prophet’s reaction. Milog does a beautiful job on the art for these pages too.

A lot of the issue is spent with the crew in this strange hive mind fleet. Hive suggests bugs but there are no bugs. It’s all ethereal and beautiful, some kind of Amazonian space fleet. There’s an unexpected cameo too. Graham integrates it beautifully.

He also has a lot of humor. There’s a wonderful running joke about Rein-East and her discarded biological mass. Graham doesn’t do a lot of the detail callouts–he does a few–but something about the pacing of Rein-East’s biological mass reminds of them. It’s matter of fact, but hilarious.

The backup, from Sloane Leong, is rather impressive. Poetic, visceral stuff.

Fantastic issue.

CREDITS

Prophet; writers, Brandon Graham, Giannis Milonogiannis and Simon Roy; artist, Milonogiannis; colorist, Joseph Bergin III; letterer, Ed Brisson. Backup story; writer, artist, colorist and letterer, Sloane Leong. Publisher, Image Comics.

Prophet 32 (January 2013)

900200 I always except Prophet to do something completely weird with its narrative. Simon Roy tells the tale of a female Prophet–still John, of course–and her adventures on a planet where the human populace has devolved.

There’s a lot of action, a little exploration, some of the regular Prophet grossness with nature, and then Roy gets to the unexpected conclusion.

It’s unexpected because Roy makes a bunch of judgements about the rest of the series so far. He shows things from the other side–there’s a lovely page where he juxtaposes panels showings the devolved humans on the planet and the female John’s childhood–and it gives an unexpected perspective.

Prophet is full of wonders–gross and not–and Roy takes the time to show the side effects. All while doing awesome sci-fi too.

Really fun backup from Daniel Irizarri. It’s fast-paced, consistently funny, rather nice artwork.

CREDITS

Prophet; writer, artist and colorist, Simon Roy; letterer, Ed Brisson. Greetings From Verde Luz; writers and colorists, Daniel Irizarri and Andrea Pecinkas; artist and letterer, Irizarri. Publisher, Image Comics.