Captain America: The Winter Soldier (2014, Anthony Russo and Joe Russo)

Captain America: The Winter Soldier has a bunch of great, thoughtful scenes and many excellent–and some just better than normal–performances but it doesn’t add up to much. Those fine scenes don’t have enough separation from the very hurried plot to resonate on their own. What should be subplots turn out to be nothing but texture scenes or, more cynically, ones to tie into later big plot developments.

Directors Anthony Russo and Joe Russo do an adequate job with the film. Some of the action, particularly in the first half, is good. The big finale goes from way too hurried for the scenes with sidekicks Scarlett Johansson and Anthony Mackie to way too protracted with Chris Evans’s second big fight opposite Sebastian Stan. These scenes take place amid the film’s only enormous CGI sequence, which the directors don’t really know what to do with.

The acting is all good; even the weaker performances like Johansson’s are mostly all right. Evans and Mackie are fantastic. Screenwriters Christopher Markus and Stephen McFeely don’t have an honest relationship between any of the characters–Evans and Johansson, Evans and Mackie, Samuel L. Jackson and Robert Redford–but the actors make it all work.

Though Redford does look a little lost. He doesn’t chew the scenery as much as the role requires.

Nice supporting work from Frank Grillo too.

The Winter Soldier stays engaging throughout–even during the bloated third act. The film’s already got the viewers invested in the characters.

It’s too bad though, it should’ve been better.

Captain America: The First Avenger (2011, Joe Johnston)

I’m not sure where to start with Captain America. There are two obvious places. First is Chris Evans. His earnest performance is unlike any other superhero movie of the last few decades (because the character is fundamentally different). Second is Joe Johnston.

I think I’ll start with Johnston.

Captain America is very well-directed. Johnston manages a wide Panavision frame, lots of huge sets (maybe most obvious homage to the films of the thirties and forties) and a bunch of actors. But because he’s utilizing so much CG, either as backdrops or special effects… it lacks distinction. If I were unfamiliar with him as a director, this film would give me no insight other than him being able.

Back to Evans. Captain America’s a tough character because Evans has to sell being a good guy all the time, even before he’s Captain America (the frail CG version of Evans is the film’s most impressive visual effect, but his performance sells it), even when he’s out of costume. Evans is able to sell him wearing the outfit. Nothing else does.

The film’s the best of the Marvel Studios releases, but still has its problems. Hugo Weaving’s villain, while well-acted, isn’t interesting enough for all the screen time he gets. The Alan Silvestri score is mediocre at best.

Oddly, I think it’ll probably get better on repeat viewings, when one can appreciate it without anticipating it.

That statement made, it’s quite good even on the first viewing. And Stanley Tucci’s phenomenal.