Crazy Moon appears to be a Canadian attempt at a John Hughes movie. In order to differentiate, they make the female lead deaf, which then makes Crazy Moon no longer in the Hughes vein–Kiefer Sutherland’s lead is also weird in a very non-Hughes way–and for much of the film then, they’re failing to meet that bad standard. Instead, Crazy Moon is charming. It’s too likable characters spending time together, with old standards playing a little too loud in the background. After the movie goes through its hurried plot-points–the third act takes up maybe six minutes–it all of a sudden becomes that terrible Canadian imitation of John Hughes it seemed ravenous to become. Sutherland’s character changes in a split second, but it turns out the big change wasn’t necessary because everything gets resolved real neat within a minute. Maybe two minutes, but short enough the song for the showdown with his brother is also the song for the end credits.
In terms of acting, Sutherland does a real good job throughout Crazy Moon. His essaying of the character does work the script should have done (like establishing off-screen emotional trauma). Peter Spence, who plays his brother, is rather bland, but his scenes with Sutherland do get a lot of work done. If the film had actual layers, instead of the illusion of layers, Spence’s performance would be more important, but as it stands, it’s fine. As the love interest, Vanessa Vaughan is good. At times though, she’s visibly bored. Maybe it’s just been a while since I’ve seen an eighties movie–with the stalking lead–but a lot of Crazy Moon works only because she’s hung up (something never really addressed) about being deaf.
Still, it’s just as pleasant of a viewing experience as it always was… though I can’t believe I never noticed the omnipresent boom mikes. The direction’s unremarkable throughout, never dipping up or down; the camera sits there and lets the action play out. Given Crazy Moon‘s finest assets are Sutherland and Vaughan’s appealing performances (not the choppy script), it’s a fine approach.
Directed by Allan Eastman; written and produced by Tom Berry and Stefan Wodoslawsky; director of photography, Savas Kalogeras; edited by Franco Battista; music by Lou Forestieri; released by Miramax Films.
Starring Kiefer Sutherland (Brooks), Vanessa Vaughan (Anne), Peter Spence (Cleveland), Ken Pogue (Alec), Eve Napier (Mimi), Sean McCann (Anne’s father) and Bronwen Mantel (Anne’s mother).