Tag Archives: Sam Taylor

Now or Never (1921, Fred C. Newmeyer and Hal Roach)

Now or Never takes a long time to get to the basic comedic plot–Harold Lloyd is stuck taking care of a little kid on a train ride. The kid, played by Anna Mae Bilson, is absolutely adorable and a perfect foil for Lloyd. She’s his costar, not romantic interest Mildred Davis, which is somewhat unfortunate.

The film takes a kitchen sink approach, with Lloyd not just speeding in a car, but also hopping a train before getting onboard Never‘s principal train. About fifteen minutes could easily come off the front, since it doesn’t feature Lloyd and Bilson together.

Roach and Newmeyer’s direction, even of the pointless parts, is excellent and Lloyd’s good, which makes Never painless (if still overlong). The finale, when Lloyd’s on top of the train–an inevitability for train movies–is fantastic. The stunt work is mesmerizing.

It’s cute and very likable, but fairly shallow overall.

2/3Recommended

CREDITS

Directed by Fred C. Newmeyer and Hal Roach; written by Sam Taylor; titles by H.M. Walker; director of photography, Walter Lundin; edited by Thomas J. Crizer; produced by Roach; released by Pathé Exchange.

Starring Harold Lloyd (The Boy), Mildred Davis (The Girl) and Anna Mae Bilson (The Lonesome Little Child).


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Among Those Present (1921, Fred C. Newmeyer)

Newmeyer takes Harold Lloyd to a country house in Among Those Present and sets him loose in front of a bunch of snobs. Lloyd plays a variation of his regular character, but this time with additions. For much of the short, he’s posing as a British lord, which showcases Lloyd’s acting ability.

The short has already established him as the likable Lloyd standard, so seeing him be an English snob is a lot of fun. The persona melts, of course, when he meets Mildred Davis. But Lloyd’s coat check boy proves to be quite an acceptable suitor, regardless of society status.

Among Those Present has three distinct periods, with the second being Lloyd’s impersonating in society and the final one being him on a fox hunt. Things do not go well on the hunt.

The short has many good laughs, but the plot structure and acting really set it apart.

2/3Recommended

CREDITS

Directed by Fred C. Newmeyer; written by Hal Roach and Sam Taylor; director of photography, Walter Lundin; edited by Thomas J. Crizer; produced by Roach; released by Pathé Exchange.

Starring Harold Lloyd (O’Reilly, The Boy), Mildred Davis (Miss O’Brien, The Girl), James T. Kelley (Mr. O’Brien, the Father), Aggie Herring (Mrs. O’Brien, the Mother), Vera White (Society Pilot) and William Gillespie (Hard-Boiled Party).


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I Do (1921, Hal Roach)

Where to start with I Do….

There are two big places and one little one. The little one is just suburban paranoia in the twenties, with newlyweds Harold Lloyd and Mildred Davis terrified over being robbed. It leads to hijinks. But this subplot is only the last seven minutes, tacked on to the rest.

The rest involves Lloyd passively agreeing to babysit his wife’s brother’s kids. I Do plays as a warning against both marriage and children. Jack Morgan plays the older ward and he’s a destructive little psychopath. Davis, unfortunately, is permissive. A great ending joke would have been her smacking the little monster after she chastised Lloyd for doing it at the beginning.

Sadly, I Do does not have a great ending (or even a good third act).

Worse, the problem’s Lloyd. He’s a clumsy fop–his character ends there.

I Do‘s unambitious and seemingly disinterested with itself.

1/3Not Recommended

CREDITS

Produced and directed by Hal Roach; written by Roach and Sam Taylor; edited by Charles Bilkey and Harold McCord; released by Pathé Exchange.

Starring Harold Lloyd (The Boy), Mildred Davis (The Girl), Noah Young (The Agitation), Jack Morgan (The Disturbance) and Jack Edwards (The Annoyance).


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Never Weaken (1921, Fred C. Newmeyer)

Never Weaken combines two of Lloyd’s favorite features (at least from his shorts of the era)… skyscraper derring do and failed suicide attempts. While the former is definitely thrilling, the latter is unpleasant and, in terms of narrative, rather lazy writing.

The short starts strong, with Lloyd out to drum up business so his girlfriend (Mildred Davis) can keep her job. She’s a doctor’s assistant and Lloyd is constantly devising scams to create new patients. This adventure takes up about half Weaken‘s running time and features a great “villain” in Charles Stevenson’s bewildered police officer.

Then Lloyd discovers Davis embracing another man and the suicide kick gets started. As usual, the misfires are funny, but in questionable taste and utterly pointless. Weaken‘s got a fourth the plot it should.

The skyscraper scenes are amazing, but it’d have been better if Lloyd had just done an urban acrobat picture.

1/3Not Recommended

CREDITS

Directed by Fred C. Newmeyer; written by Hal Roach and Sam Taylor; titles by H.M. Walker; director of photography, Walter Lundin; edited by Thomas J. Crizer; produced by Roach; released by Pathé Exchange.

Starring Harold Lloyd (The Boy), Mildred Davis (The Girl), Roy Brooks (The Other Man), Mark Jones (The Acrobat) and Charles Stevenson (The Police Force).


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